Artist Interview with Painter Anne Ward

It’s my pleasure to introduce painter Anne Ward! Please enjoy the interview and leave a comment at the end to let us know your thoughts. I encourage you to check out her website and subscribe to her email list.

Artist Interview with Painter Anne Ward #artistinterview #artblog #pleinair #painting #florals #artists

Can you tell me a little bit about yourself and your journey with art? 

I’d always dreamed of being a painter. I remember hours spent sitting and looking at Time Life books with paintings by Impressionists. When I was about 11 years old I had a paper route so that I could earn money to buy the items needed for sketching that I read about in books I checked out from the library. I filled the walls of the room I shared with my sister with my endeavors. I was so lucky to have family and friends who championed my work. My Aunt Peg gave me my first set of oil paints when I was 15. I was beside myself with glee. To this day she still has my earliest paintings up in her home. I have 5 brothers and sisters and when we were growing up we didn’t have a lot of spare income, but my father worked at an airline which allowed us all to fly for free. My parents really valued travel and exposure to museums so I was incredibly fortunate to have seen so much of the world at a young age. I studied art in high school and continued on to UCLA where I chose to get a degree in history…but I was always drawing and painting whenever I had spare time.

Artist Interview with Painter Anne Ward #artistinterview #artblog #pleinair #painting #florals #artists

After college I was so lucky to get a job working for a movie writer/director named Lawrence Kasdan. I was responsible for running his office, reading scripts, being on the set and being a gatekeeper to the busy demands on his creative time. I worked on a few movies in my time there and lived for nearly a year in Santa Fe working on a movie called Wyatt Earp and a year in Paris working on a movie called French Kiss. It was an incredible opportunity to deeply understand what goes into the creative process on a large scale. I taught my boss to learn to use a computer (this was indeed a LONG time ago!) so that he no longer wrote his scripts in longhand form on legal pads. I learned so much about focus and creative dedication and fun from him. All the while I worked there, I was saving money to support my dream of taking time off to finally learn to paint. I was still reading art instruction books and after 6 day work weeks on location,  I would spend my Sundays studying art and painting. I sold my very first painting to a film coworker in Santa Fe and I was so thrilled.

Artist Interview with Painter Anne Ward #artistinterview #artblog #pleinair #painting #florals #artists

After being in Paris for over a year I left my film production job to begin my dream of taking time off to paint. My parents had given me an outdoor easel and my boyfriend at the time urged me to bring it along on a weekend trip. We were in a small village in France. I must have worked easily 15 hours on that tiny attempt to capture light! By the end of the weekend it was pouring raining and a man with one arm held an umbrella for me to finish, people had brought me food and welcomed me into their homes, children had helped me with my clumsy attempts at speaking in French. I was hooked. The way an easel connects you to people and nature and the environment is such a special privilege! I realized that if I could do this I would live the happiest life ever. I quit my job in Paris, I returned to LA and within two weeks I had magically met a group of painters who had dedicated their lives to this ‘plein air’ thing. It was a somewhat unusual pursuit at the time to find people devoted specifically to plein air and I spent hundreds of hours outdoors learning from these generous artists.

Artist Interview with Painter Anne Ward #artistinterview #artblog #pleinair #painting #florals #artists

So while I’m mostly self taught, I was so lucky to have been exposed to incredible painters who taught me exacting ways of seeing light. I began showing paintings and was fortunate to gain a following of collectors who supported me. I went through a divorce and painting was my anchor. With two children I realized that I had to figure out how to squeeze in painting. One of my mentors and a painter I greatly admire is Dan McCaw. He suggested that I should ‘always paint in my head’ when there wasn’t time to actually paint.  Such good advice. I could be mentally prepping for the moment when I actually had time to paint. I read an article by another art hero of mine who eventually became a dear friend, Peggi Kroll Roberts. She described raising her kids and painting and setting up still lifes and painting small between loads of laundry. I began setting up my easel in the kitchen at night after the kids were asleep. While I didn’t have time to chase the light outdoors in true plein air fashion, I could grab whatever was in the fridge and set up ‘problems’…impossible color combinations or green on green, pink on pink etc. It forced me to see/question assumptions about colors and figure out where the actual chroma belonged. I was obsessed with taking the same objects and painting them indoors and then outdoors at various times of day to understand how light can transform even ordinary objects. Doing this allowed me to better understand color.

Artist Interview with Painter Anne Ward #artistinterview #artblog #pleinair #painting #florals #artists

Now I am happily remarried to painter and author Ian Roberts. We share a studio and I am always inspired by his approach and patient allowing of a painting to progress. He is an amazing painter. Before anything heads out the door we discuss what might be popping out or distracting from the whole of the picture plane.  I am dyslexic…so when I see a painting I see an abstract pattern of shape and color…Ian sees the ‘underneath’ of painting in the form of composition so I really am blessed to have that influence.

Artist Interview with Painter Anne Ward #artistinterview #artblog #pleinair #painting #florals #artists

My children are older but I still set up still life on the back porch so that I can paint from life while also preparing meals. I am SUPER inspired by our beautiful garden and the vegetables and flowers we grow. My second love is pattern. So I have been making patterns to accompany my paintings and experimenting with putting them on bags, totes and fabric to use in my still life paintings. I love the idea of art being useful in the world so that even if someone can’t afford an original painting they could have something beautiful like a coffee mug that makes their day happy. I also have a few images that are reproduced and available online at Pottery Barn.  Also, as a means of using my art to be of service in the world, I made an app that pairs my paintings which an intention for the day. It is free and has a simple meditation included to create more calm in a topsy turvy world. Its called i-intend on iTunes and has been downloaded by thousands of people around the world.

Artist Interview with Painter Anne Ward #artistinterview #artblog #pleinair #painting #florals #artists

Where do you draw your inspiration from? 

I’m SO inspired by pattern, light and color.  I’m obsessed with infusing my work with the the joy and wonder I feel in our garden. I think that beauty is such a stabilizing force and I am always in pursuit of it. I find there is truth, integrity and absolute joy to witness things growing. It is humbling and powerful to feel connected to the growing cycle of things in the yard. A tiny seed becomes a carrot in 120 days. Amazing! A grasshopper that perfectly matches the color of a leaf on a lemon tree.  That’s magical! Things that could easily be missed given the ‘important’ distractions of my phone. I’m inspired by bringing that experience of how I feel in nature to the walls of someone’s home. I’m using our daughters and the arrangement of light in our dining room as the backdrop for a painting I’m working on now. I think its important to use the truth of the things I love in my life as elements in paintings. I’m going to be incorporating more of my patterns into my paintings. I’m also inspired by painting on the Ipad and using it as a tool on days that I don’t have time to be in the studio.  A daily practice of creating is so critical to my work.

Artist Interview with Painter Anne Ward #artistinterview #artblog #pleinair #painting #florals #artists
An iPad painting – I often use an iPad to sketch up ideas for oil paintings

What have been some of your favorite exhibitions that you’ve been featured in and why? 

 I once had a solo show based on a line in a book by Eckhardt Tolle about ‘spacious stillness’. That really is how painting feels to me.  Its a wordless expansive feeling. The show was a series of outdoor still life paintings and some landscapes and moments where I had felt spacious stillness. An elderly neighbor who was no longer able to travel remarked  ‘Thank you for taking me on that journey’. I was so moved by that. I’m always honored to show work at Marcia Burtt Gallery in Santa Barbara. Marcia has been one of my art heroes and part of me still can’t believe that I get to show my work alongside hers there! It’s also an honor when I have shown work with the California Art Club at their juried show. So many amazing painters.

Artist Interview with Painter Anne Ward #artistinterview #artblog #pleinair #painting #florals #artists

What has been your experience with art associations? How can they be helpful for artists and their businesses?

I have been involved with the California Art Club which was founded in 1909. There are wonderful opportunities to go on paint outs and gain exposure to new ways of thinking and approaching work. When I was very new to painting, the club offered so many opportunities for exposure and submitting to shows. I think clubs and art associations are so valuable because making art can be a solitary endeavor. Its so important to find the people who inspire you along the way. I used to keep a binder of paintings I’d seen in magazines as ‘reminders’ of what made me really excited about painting. It helped me to figure out what and how I wanted to paint.

Artist Interview with Painter Anne Ward #artistinterview #artblog #pleinair #painting #florals #artistsWhat have been a couple of your favorite projects and commissions over the years? 

One of my favorite experiences was getting to help chef and restauranteur Suzanne Goin choose some of my paintings for her house. I love having the opportunity to do that and find images that resonate for people in their homes! I really admire Suzanne and all that she has created so that was a special experience. I also did a commission for my friend Laurie David of some of my kitchen counter/garden paintings. A lemon, an avocado and a radish…it was so fun to paint things I love for her beautiful home. Recently a dear friend and collector bought a large number of paintings of mine and Ian’s for her home. That made me so happy to imagine all those little snapshots of my life together in one environment.


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Artist Interview with Painter Anne Ward #artistinterview #artblog #pleinair #painting #florals #artists #floralpaintings #oilpaintings #stilllife #stilllifes

Interview with Illustrator Signe Gabriel

It is my pleasure to feature artist Signe Gabriel on the blog this month! Signe is a Danish illustrator from Lund, Sweden. You can check out her Etsy shop, follower her on Instagram, and peruse her beautiful artist website to see some of her outstanding collaborations and projects. You can contact Signe for commissions by sending her an email:

Interview with Illustrator Signe Gabriel #illustration #etsy #illustrator #artist #artblog #giftideas

Can you tell me a little bit about your journey with art? What inspires you, and what is life like in Sweden?

Like many other illustrators I was always drawing and painting as a child and just didn’t stop doing it as I grew older. However, no-one in my family are artists or even have their own business, so it took me some time to realize that the thing I wanted to do – which was, basically, drawing and painting all day – could actually be my job. I am from Denmark and started working from Copenhagen, but one year ago I moved across the bridge to Lund in southern Sweden where I live now. I live with my partner and a few friends in a really old house – all of Lund is really old, and I feel very inspired just living in a place like this. My imagination is always going, and I make up stories around the things I see, and this is really where most of my inspiration comes from, as well as old fairy tales and Scandinavian folklore. Before I moved here, I was already painting Swedish-ish nature and houses, so I think I was just meant to move here.

Lately I have started writing a little as well, putting words to all these stories I make up all the time. Really I think the picture book is an amazing medium. First of all, as an illustrator it is fun to have to make a whole bunch of drawings that have to work together to tell a story, and second I think it has so many possibilities and directions to go in. Picture books can be both fun, poetic, or educational. I think this is the direction most of my work will be going in the future.

 Interview with Illustrator Signe Gabriel #illustration #etsy #illustrator #artist #artblog #giftideas

What have been some of your favorite children’s books and magazine projects? 

I have been lucky enough to work with Taproot Magazine a few times, and I always really enjoy illustrating articles for them. They focus on craft, sustainable living and homesteading. I love working with them, I feel like their themes are a natural fit for me and the articles are always interesting.

Interview with Illustrator Signe Gabriel #illustration #etsy #illustrator #artist #artblog #giftideas

For some reason, I have been doing quite a lot of food illustration, which is also always a fun challenge. We see pictures of food all the time, so imagining food in new ways is a fun challenge. I like making tiny chefs running around arranging huge plates of food.

For the last few months, me and my partner have been working together on a children’s book about depression. It has been a heavy subject to dive into, but also a really rewarding process, and it just feels so important, which is really motivating to me. We are almost done now, and hopefully we will find a publisher for it.

 Interview with Illustrator Signe Gabriel #illustration #etsy #illustrator #artist #artblog #giftideas

What have been some of your other favorite projects or commissions?

A really fun commission I had last summer was creating a map for a conference center in Malmö. They own a whole block of historic buildings in the city center, and needed a map for their clients to be able to find their way. All these houses are different, but they are all painted bright yellow, and in the summer there is pink flowers growing everywhere. I got to sit in the sun and drink coffee and sketch and look at people for a few weeks. It is commissions like that that make me feel like I have the most awesome job in the whole world.

After spending time on commissions it is always nice to be able to spend some time with my personal projects. Here I can really pour myself into it and express myself just the way I want. Often, these are the projects that turn into posters for my Etsy shop.

 Interview with Illustrator Signe Gabriel #illustration #etsy #illustrator #artist #artblog #giftideas

Do you have any advice for artists pursuing their work as a business? Has your artist website and Etsy shop had a positive impact on your business? 

My main advice for artists that would like to turn their work into a business is to make a good website. This is your window to the world and your chance to tell your story, so put a lot of work into it. Also, something I force myself to consider every once in a while, is whether or not the content on my website really shows only my best work. As artists we keep developing our skills, so sometimes we have to take down old favourites. It is better to show only a few, really great projects. As soon as you have a website running, send emails to all the people you can imagine working with!

Interview with Illustrator Signe Gabriel #illustration #etsy #illustrator #artist #artblog #giftideas

Etsy has definitely had a positive impact on my business. It feels great sending a poster to the other side of the world to someone who for sure would never have heard about my work if they hadn’t found it on Etsy. In Scandinavia, not a lot of people now about it, but I have been able to direct people here to Etsy via my website.

Click Here to Shop Signe


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Check out my post on finding hosting for your artist website! 

The Vibrant Paintings of Melbourne Based Artist Christine of Bellablackbird

I’m excited to introduce Christine from the Bellablackbird Etsy shop. Christine is based in Melbourne, Australia. You can follow her blog at, as well as her Instagram and Pinterest.

Can you tell me a little bit about yourself and your journey with art? What is life like in Melbourne, Australia?

I originally came from England where I worked with children under five. In the early nineties, my family and I made a life changing decision to emigrate to Australia. I always had a strong interest in art so began to study both visual art and illustration full-time. Digital media was amazing to learn as it is so versatile, combining textures, painting and Photoshop effects and brushes to make illustrations is so creative and flexible.

Where do you draw your inspiration and vibrant color schemes from?

Painting is another part of who I am. I’m inspired by nature and the vibrant landscapes and the intense colour of Australia. I’m influenced by visual aspects but I usually start a painting without a defined composition and keep layering until I’m happy, my paintings are often very abstract in style.

What materials and mediums do you enjoy working with? Do you have any specific brands that you can tout?

I paint with acrylic paint and really love the Ampersand boards as a surface. I recently returned to creating softer work with watercolour on paper which is fun to do, using Arches Cotton Rag 300gsm thickness and Holbein paints.

We live in a small coastal town and have a large garden full of native birds, which I often paint in watercolour. It’s very peaceful but different to Melbourne which has a vibrant arts community. I enjoy visiting the designer’s craft markets in the city and buy the handmade jewellery, ceramics and bags.

Do you have any favorite music that you like to listen to while you create? 

I do love to listen to music while working and my tastes change all the time. My favourite musicians at the moment are David Bowie, Coldplay and Florence and the Machine. Being a child of the sixties I also love Joan Baez and Leonard Cohen.

Are you working on any new and exciting projects, or have any outstanding artistic or business goals for the near future? 

I don’t have large goals but I’m focused on constantly adding new work to my Etsy shop. I’m also learning how to block print and have a couple of projects in mind. My social media always needs lots of work and I’m thinking of starting a new website.

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Interview with Russian Artist Anastasia Cherepneva: Inspired By Nature

Today’s interview features Russian artist Anastasia Cherepneva, who lives in Moscow and primarily sells on Redbubble, Shutterstock, and does freelance work for Russian publishers and universities.

Can you tell me a little bit about yourself and your development into a graphic artist and illustrator, and where you draw your inspiration from?

I’m an illustrator and graphic designer. Sometimes I sew, knit or felt toys and make dolls. I like to travel and draw northern nature. I used to draw and create things since my childhood. I attended art school, but later decided to be an engineer. I graduated technical university, but didn’t stop drawing. I can’t imagine my life without creation, so I attended some art courses and now work for different freelance projects connected with education. I draw my inspiration from nature: I like to travel, walk in the forest, visit botanical gardens and observe animals and birds.


What does the process look like for creating your nature illustrations?

When it’s possible I prefer to work in the open air, not in studio. I like daylight for watercolor works, so most of my works were made during my travels.

Are you working on any new and exciting projects (or have you, recently)? What have been some of your favorite freelance gigs?

 I’ve just finished big project that I’ve been working on for half a year. It’s a handmade book about travelling to Svalbard (Spitsbergen, Norway) last year. I think some of illustrations from it soon will appear on Redbubble.

What has your experience been like selling on Redbubble? Do you sell your work on any other platforms?

Selling on Redbubble is great thing. It was my dream to make something useful out of my drawings: postcards, bags, pillows, etc.  I’m so happy that I can realize my dream on Redbubble. I also try to sell my work on, a Russian print shop.

Nature painting sticker

Do you listen to music while you create, and if so, what are some of your current favorites songs/artists?

I’m not used to listening to music when I draw, but for inspiration I listen to folk or rock music.
My favourite band is “Orgia Pravednikov“, a Russian folk-rock musical group.


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Sara Schalliol-Hodge : Designer & Maker of Things


Welcome back! Our latest feature spotlights artist Sara Schalliol-Hodge from Lakewood, Colorado! Sara is “a designer by day and a printmaker, sawdust producer, and stuff-maker by night.” Read on to get to know Sara a little better, and CLICK HERE to go to her website, and HERE to go to her Etsy shop!


What about the printmaking process do you love the most, and more specifically, why linocuts? 

I love printmaking because I love the ability to make multiples of my art. With so many forms of fine art, you can spend many, many hours creating the finished product, only to sell it just once and never see it again. And, often art can take so many hours to create that it can be very difficult to be able to charge a decent wage for all of the time you spent on it. All of that being said, buying a computer-printed art print doesn’t really appeal to me because it seems so far from being made by hand. With printmaking, each print is still made by hand and there are subtle variations in each print, so there is definitely evidence of the maker. It is hard work printing a woodcut or linocut all my hand, and I like to think that that energy can be somehow felt when viewing these prints. For me, printmaking seems to fit into a sweet spot of being affordable but still very handmade.


Many of your designs juxtapose the themes of nature and industry. Where do you get the inspirations for your designs and what about this juxtaposition interests you? 

Nature vs. industry, or nature vs. man are themes I explored even in the art I created very early in my life. There is something so poetic about vines growing up and taking over an old car or building. I studied Industrial Design in college, and Industrial Design tends to involve mass-production, and therefore factories. It can be really strange to think about each thing you own and imagine the factory that produced it. This type of thought process made me think about how natural things are made, which is not quite in a factory…. but what if you think of nature itself as a factory? So this lead me to prints like Factory Whale, Love Factory, Salmon Factories, etc.



Also many of my prints display animals and “the hand of man” in one way or another. Like, quite literally in my print Spark:


But I also like to create prints that show animals having to survive in the world that man has modified, like City Lynx:


How has business been on Etsy and do you have any advice for blooming Etsian printmakers? 

I was a very early Etsy seller and buyer and it has been interesting seeing Etsy become a website that non-artist-type people have actually heard of and shop from. My Etsy shop has changed a lot since the beginning. I used to sell wooden sculptures, jewelry displays, and chunky wooden jewelery, and now I sell only my printmaking. I have had several great opportunities come along because of my Etsy shop. Half of the brick and mortar galleries I sell at approached me from discovering my shop on Etsy, which is awesome! These days, my sales come mostly from brick and mortar galleries, and not Etsy. For me personally, sometimes it can be hard to sift through all of the shops on Etsy to find that special thing I’m looking for, but walking into a well-curated local shop usually lightens my wallet pretty easily.