I’m so excited to introduce everyone to painter Elizabeth Boudreau! You can find Elizabeth’s work in her Etsy shop, Whimsical Weasels. You can also follow her on Instagram.
Can you tell me a little bit about yourself and your journey with art?
Sure! My name is Elizabeth Boudreau. I’m a working artist in Athens, GA, creating illustrative wildlife paintings. I graduated in 2017 from the University of Georgia with my BFA in Drawing and Painting. Since my childhood growing up on a farm in the state of Washington, I have always held a special relationship with animals. In my adult life, that relationship has turned into one of creativity and compassion.
One of my greatest pleasures in life is travel. I love to see the world, visit obscure corners of the globe and experience the wildlife and culture. Many of my travels have resulted in projects during and after the trip. An example that comes to mind is my Costa Rican field guide book, created almost entirely during my stay and displaying the creatures observed in person. This past summer I had the joy of visiting South Africa, where I was spoiled with wildlife! The result: 72 art cards to result in one large composite poster.
You see, I love drawing and I love animals. It’s heartwarming to have the chance to pursue my passion.
What is life like in Athens, Georgia? Any favorite spots that inspire you?
Life after graduation here is a creative journey! I spend most of my days in my studio, creating personal and custom pieces. The area has many artist-friendly venues that showcase and bolster the careers of young artists. I recently developed a great relationship with Trio Athens, a gallery that shows and prints for local creatives. It’s also fun to see quirky art projects pop up around town, like knitted gnome trees that hide around unknown corners. It’s the spunk like this that keeps my love for Athens burning strong!
What is the process like behind creating your animal paintings – do you sketch, then paint? How do you go about finding references?
Typically, I begin by lightly sketching out the basic shapes of my subject, creating a composition that feels right. After the main sketch is laid down, I boldly delineate the subject in preparation for my favorite part…COLOR! My primary medium is gouache, sometimes layered with watercolor or marker.
The true delight in painting for me comes from troubleshooting. I adore the feeling of satisfaction when a troublesome area suddenly resolves with a resonating ‘ding’ from the light bulb in my mind. It is a constant process of layer, step back, observe, tweak, move on. It is so satisfying to see a piece come to fruition.
References for me are a staple, helping me create anatomy and structure in my figures. Most of my reference material comes from photos during travel.
What are some of your favorite art products/materials?
Oh, there are many great materials floating around! I will list below some staples in my studio, materials I heavily trust:
Any exciting paintings, projects or upcoming events in the works?
Yes! The studio is in full swing right now preparing for the DragonCon art show! This is my first year participating and I am very excited. A few commissioned pieces are in the works and always ready for more. I love to create and see the joy my art gives others.
Can you tell me about yourself, your journey with weaving, and the story behind your shop? What’s life like in Manitoba, Canada and the balance between being an artist/crafter and a mother?
My name is Rebecca Riel, but most people call me Becca. I have degrees in Political Science and Social Work, but after having my son two years ago, I decided not to go back to work. At the time we were living in a very small town in rural Manitoba and childcare was limited. While on my extended mat leave, I became a little stir crazy and got really into DIY projects. I actually started with woodworking and re-finishing furniture. Until that time (like many other people I’m sure!), I had always said “I’m not the creative type.” I now realize it’s not that I wasn’t creative – it’s that I had never given myself the opportunity to BE creative.
I had always excelled in academia, but never explored my artistic side. As I got further down the DIY rabbit hole, I started signing up for some workshops – one of which was weaving. I have to tell you that I was a disaster at my first workshop! I tangled my warp thread so bad, even the teacher was surprised (haha)! In any event, I fell in love that day – despite the fact that it didn’t come naturally to me at first. So I took my loom home and slowly traded my woodworking projects for fiber projects. I had the idea to try to weave a map in the shape of my home province of Manitoba and suddenly people were asking to buy them. It started with friends and family but sort of organically grew into something else. Last fall, after much encouragement from loved ones, I gathered up the courage to open up an Etsy shop and haven’t looked back. That’s how Riel Finishings was born. It’s pretty much the ideal job for me! I’m someone who has struggled a lot with anxiety in my life, and I find weaving so therapeutic. The fact that I get to do it as my job now is just unreal to me!
How do I balance being a mother and an artist? In short, not very well! I am so grateful for how busy I have been since my shop opened. That said, sometimes it gets a little overwhelming. We have had to seek some childcare for my son, just so I can keep up – and most of the time I still feel way behind. My house is usually messy and I don’t cook as often as I’d like. That said, I wake up every day being so grateful for this opportunity and the growth I’ve experienced!
Can you tell me a little bit about your ‘mapestries’? How did you term that awesome phrase?!
The most popular items I sell at the moment are “mapestries” (map + tapestry). While I began weaving maps of my own province of Manitoba, gradually I started getting requests for other states and provinces. The term “mapestry” came to me one night at 3am when I was up with my son. It literally just popped into my head, in a rare moment of genius!
What kinds of yarn and looms do you use and recommend?
Yarns: I love using a variety of textures in my tapestries. My favourite yarns to work with are hand spun and hand dyed, which I source from other small shops around the world. I’m also passionate about using recycled and reclaimed fiber in my work. You can frequently find denim, mudcloth, and recycled wool in my tapestries. They look unreal, and are also better for the environment. In terms of yarn I would recommend, it really depends on your textural preferences. I would caution against using anything acrylic, because it totally messes with your tension. Some of my favourite yarns to weave with are from: Knit Collage, Fly Yarns, Love Fest Fibers, Divinity Fibers, and Silk Divine.
Looms: I have a LOT of looms! Some of them are handmade, but my favourites are from Lost Pond Looms and Funem Studio. Both companies make excellent looms in a variety of sizes – really perfect if you’re just starting out.
What have been some of your favorite projects and commissions?
I was recently commissioned by a resort in Manitoba to weave some tapestries for their suites. This commission was the first larger-scale order I’ve ever received, which was a huge milestone for my business. The catch is that they wanted me to weave a buffalo. Yes, I said buffalo and I’m not talking about the place, I’m talking about the animal! When I read the request, I instantly panicked! If you have some familiarity with weaving, you know that some shapes are more difficult than others. I figured there was no way I could do this tastefully, but I challenged myself to give it a try. To my complete surprise, it turned out really well and I’m proud I was able to push through that challenge. I’m somebody who has always been a little insecure. I worry about failure and about what others think of me, and the thing about art is that there’s no room for those fears. You have to push through them. I try a lot of different things and they don’t always work out, but that’s okay, because sometimes they do and it’s magic!
Do you have any advice for artists and crafters just getting into weaving?
I don’t have much in the way of advice for new artists, because, well, I myself am still so new! I would have to say that it’s really important to find your own voice as an artist/weaver, which sometimes means pushing yourself out of your comfort zone. When I put on my artist hat, I try not to let the rational/analytical side of my brain rule, and instead follow my heart and my gut. Sometimes that is the scariest feeling, it means being totally vulnerable and putting yourself out there, but you will never know what’s possible until you take risks. If you would have told me when I first opened my shop that by April I would have a waiting list of commissions, I would have laughed in your face. So I suppose at the end of the day, it’s really important to believe in yourself and just keep weaving. Oh, and never take yourself too seriously! Weaving is all about exploring different fibers and textures – it’s as much about the journey as it is about the final tapestry.
*Some photos featured in this post were taken by talented photographer Janique Fortier, see her website here.
It is my pleasure to feature artist Signe Gabriel on the blog this month! Signe is a Danish illustrator from Lund, Sweden. You can check out her Etsy shop, follower her on Instagram, and peruse her beautiful artist website to see some of her outstanding collaborations and projects. You can contact Signe for commissions by sending her an email: firstname.lastname@example.org.
Can you tell me a little bit about your journey with art? What inspires you, and what is life like in Sweden?
Like many other illustrators I was always drawing and painting as a child and just didn’t stop doing it as I grew older. However, no-one in my family are artists or even have their own business, so it took me some time to realize that the thing I wanted to do – which was, basically, drawing and painting all day – could actually be my job. I am from Denmark and started working from Copenhagen, but one year ago I moved across the bridge to Lund in southern Sweden where I live now. I live with my partner and a few friends in a really old house – all of Lund is really old, and I feel very inspired just living in a place like this. My imagination is always going, and I make up stories around the things I see, and this is really where most of my inspiration comes from, as well as old fairy tales and Scandinavian folklore. Before I moved here, I was already painting Swedish-ish nature and houses, so I think I was just meant to move here.
Lately I have started writing a little as well, putting words to all these stories I make up all the time. Really I think the picture book is an amazing medium. First of all, as an illustrator it is fun to have to make a whole bunch of drawings that have to work together to tell a story, and second I think it has so many possibilities and directions to go in. Picture books can be both fun, poetic, or educational. I think this is the direction most of my work will be going in the future.
What have been some of your favorite children’s books and magazine projects?
I have been lucky enough to work with Taproot Magazine a few times, and I always really enjoy illustrating articles for them. They focus on craft, sustainable living and homesteading. I love working with them, I feel like their themes are a natural fit for me and the articles are always interesting.
For some reason, I have been doing quite a lot of food illustration, which is also always a fun challenge. We see pictures of food all the time, so imagining food in new ways is a fun challenge. I like making tiny chefs running around arranging huge plates of food.
For the last few months, me and my partner have been working together on a children’s book about depression. It has been a heavy subject to dive into, but also a really rewarding process, and it just feels so important, which is really motivating to me. We are almost done now, and hopefully we will find a publisher for it.
What have been some of your other favorite projects or commissions?
A really fun commission I had last summer was creating a map for a conference center in Malmö. They own a whole block of historic buildings in the city center, and needed a map for their clients to be able to find their way. All these houses are different, but they are all painted bright yellow, and in the summer there is pink flowers growing everywhere. I got to sit in the sun and drink coffee and sketch and look at people for a few weeks. It is commissions like that that make me feel like I have the most awesome job in the whole world.
After spending time on commissions it is always nice to be able to spend some time with my personal projects. Here I can really pour myself into it and express myself just the way I want. Often, these are the projects that turn into posters for my Etsy shop.
Do you have any advice for artists pursuing their work as a business? Has your artist website and Etsy shop had a positive impact on your business?
My main advice for artists that would like to turn their work into a business is to make a good website. This is your window to the world and your chance to tell your story, so put a lot of work into it. Also, something I force myself to consider every once in a while, is whether or not the content on my website really shows only my best work. As artists we keep developing our skills, so sometimes we have to take down old favourites. It is better to show only a few, really great projects. As soon as you have a website running, send emails to all the people you can imagine working with!
Etsy has definitely had a positive impact on my business. It feels great sending a poster to the other side of the world to someone who for sure would never have heard about my work if they hadn’t found it on Etsy. In Scandinavia, not a lot of people now about it, but I have been able to direct people here to Etsy via my website.
Can you tell me a little bit about yourself and your journey with your art?
Hi, first of all thanks for the interview. I grew up in the state of New York in a city called Oneonta. Currently I live near Seattle. I remember being young and I would draw things occasionally. They were mostly surreal and fantasy pencil sketches, inspired by things I liked: Lord of the Rings and The Simpsons. If you pulled out my old sketchbook you would see a lot of people fighting with swords. These drawings were a lot of fun, but I didn’t consider it a career option really. I went many years without drawing or painting much until halfway through college. After nearly failing Chemistry 102 as a Geology major, I decided to pursue visual art genuinely. I have been making art regularly since then- about seven years.
Where do you draw your inspiration?
There are definitely weeks and months that I don’t want to think about making art. I want to mention how important music can be as an inspiration. The textures, compositions, and melodies in music are a natural companion to art. I like albums as a way of listening to music and if there is a counterpart in visual art it would be a “series”. There are times when I get excited about an idea and I want to make a series of five or twenty. It is nice to explore an idea and then put out a chunk that feels satisfying- something that musicians do really well.
What are your favorite materials and processes that you use in your work?
As much as I like drawing and painting, digital art is an exciting new tool. I usePhotoshop often as well because it allows me to do things I cannot do with traditional media. In the same vein, playing an instrument is another tool that has helped me challenge myself in a new way. But, there are a few different materials that I like especially. Black and white pens on tan or gray paper is a look I like. Starting with a medium tone paper is nice because I can work on highlights more directly.
What have been some of your favorite past or current projects or commissions that you’ve worked on? Do you have any in the making?
One of my own favorite projects is a series of small house drawings. I got carried away and I made about twenty. They were all four by six inch ink drawings of houses. Some were houses that I had seen around town and some that I had made up. It felt nice to commit to an idea and pursue a lot of possibilities. Another example is a few years ago I bought some acrylic paint and canvases and I started painting regularly for the first time in my life. I gained appreciation for abstract art by failing to become a good painter. Trying to find realism in paint was a challenge for me; but, I painted at least twenty canvases.
As far as the future, I think it would be a great to make books, albums, videos. I would like to write stories and music and combine that with artwork in some way. Album covers, posters, typography, and animation are also formats that I hope to continue working on in the future.
It is my pleasure to introduce Kat Lendacka, a printmaker from the UK. Please make sure to give her Etsy shop a visit!
l me a little bit about yourself and your journey with printmaking?
I am a printmaker and my favourite technique is lino cutting. I live in Northamptonshire, United Kingdom, with my family and a whippet called Spot. After studying Graphic Communications (Illustration) and working in the graphic design industry for some years, I gradually moved away from sitting at the computer all day to using my hands (although a bit of computer work still remains)!
I was born and grew up in Litomerice, a rather picturesque small town approximately 40 miles north of Prague in the Czech Republic. My first ever try at lino cutting was when I was about 13 years old with a retired art teacher and an academic painter, to whom I used to go for art lessons with several other youngsters. I wish I liked the man more! I might have done a lot more lino cutting! Next time I had a go was while a first year student of Graphic Communications (Illustration) degree at Northampton University. This time, I fell in love! Linocut images appeared in many of my student graphic projects as well as in the final major project.
It still took some years before it became my every day obsession due to a full time job, lack of space and then babies taking over my time and the house! In the last 3 years, lino cutting has taken over the dining room and conservatory which are essentially my make shift studio. It is also where I run very small workshops.
Where do you draw inspiration from? Do you use references for your work?
Inspiration for me is everywhere. While walking our dog, exploring the countryside with the children, day trips to old cities (Oxford being my favourite), visiting my old home town Litomerice which is adorned with the most beautiful old houses! Animals in the British countryside and some fabulous gardens (Coton Manor Gardens being my absolutely favourite place on Earth). There are also a few artists that I find mind blowing – Angie Lewin, Emily Sutton being a couple of them.
Your work is so detailed. What does the process look like for one of your multicolored animal prints?
In the last 2 years, I have moved away from only black and white (one layer) images to multi block lionocuts. I prefer this technique to reduction linocuts. Using various materials (Japanese Vinyl, soft lino and old flooring vinyls), I like to cut out shapes and play ‘jigsaw’! Usually, I stick to 2 – 3 colours.
How has business been these days? Are you working on any new and exciting projects?
What next? I am happy doing what I am doing, more images as they pop into my head. Grow my Etsy shop. Pluck up courage and try a couple of art fairs! Experiment with some more products. But most importantly, have fun (as my Uni teacher Ian Newsham used to say ‘if you are not enjoying it, you are doing it wrong!’).
Hello Everyone! It’s my joy to welcome back one of The Art Spectrum’s own, contemporary artist Melissa Mary Jenkins for a giveaway of one of her paintings! Melissa appeared on The Art Spectrum back in June of 2017, you can read the interview here. This month you have a chance to win the painting below! Followers of The Art Spectrum also have access to this exclusive coupon code to use in Melissa’s Etsy shop: ARTSPECTRUMCOUPON for 15% off.
“Beneath the rust and grime which dulls the shine of our weathered hearts, joy patiently waits to be rediscovered.”
John Mark Green
Joy has been resting patiently for years under the weight of chronic illness but I have rediscovered the shininess of joy underneath the rust of fatigue and pain. As I continue to heal, I have been able to snowshoe and cross-country ski around our our farm yards and forests, and I have been struck by the rusty-burgundy colour of the dogwood trees surrounding me.
This painting began with layers of rusty-burgundy-pink with bits of white and grey. Pastels, charcoal, India Ink and pigment liner form the final layers.
*Paper is cold pressed 140 lb watercolor paper
*Painting measures 5×7 inches
*Signed and dated on the back
*This is an original painting, NOT a print
*Frame not included
Here is an update from Melissa:
This past Autumn I began to heal from Chronic Lyme Disease and a co-infection called Bartonella. As I feel the “fog” lifting, I have had a reawakening of sorts. I am completely and utterly inspired by my natural surroundings and have rediscovered the vibrancy of color in the farm fields, forests and pine trees surrounding our old stone farmhouse. I have begun to sketch outside and take daily adventures with our puppy Mylo. I have learned to pinpoint the lines in nature and translate this movement into abstract landscape paintings. I feel as though I have finally “come into my own” as an artist. Instagram still plays a very important role in my art journey, but I feel that it plays a different role in my life. The connections that I have made have taken precedent over looking for inspiration in other people’s artwork. This has been a turning point in fighting off the ever-invasive “imposter syndrome”. I feel as though the perfect way to describe my work is as follows: Inspired by natural surroundings, my paintings reflect the fluidity of the seasons and the movement of my soul in nature.
Some reviews of Melissa’s work:
“The canvas is just stunning and the customer service was impeccable, beyond expectation! Melissa sent me previews and snapshots of her progress which made me appreciate the hard work and care she puts into each custom creation! It was wrapped so nicely and securely, and even included a personalized note and gift tag. Really special! Highly recommended! Thanks Melissa!”
“Melissa was a joy to work with. She began to paint immediately. She answered my questions quickly and cared that the finished product was what I wanted. My beautiful, original painting now hangs above my bed.”
“SO IN LOVE WITH THIS PAINTING! Melissa is a unique artist and is very gracious to returning customers. Thank you again!!”
“I am soooo pleased with the service I received from the boutique owner. This was sincerely above and beyond! The package was soooo nice. A lot of attention to details! And the piece of art is gorgeous! Thank you so much!”
Can you tell me a little bit about yourself and your business?
I have pretty much been making art since the beginning – my mom and I like to joke about how I once wrote the tooth fairy a letter asking for “more practical things than quarters, like crayons!” Although art was always a true love, it was never a big school thing for me. My high school barely had an art program and I hated the idea of being graded on art anyways. After high school, I went to college to study Sociology. After school I was pretty unsure of my future. I ended up being a swim coach for a few years and bought a super fun 100 year old house, I was really trying to be a grown up. But I was stuck and not happy with where I was going. After some pep-talks with my parents and the realization that I could change my direction, I applied to art school, sold my house, and moved back to my college town to study photography.
I fell in love with pinhole photography and still hope to get back to making those images again someday – but that practice is very darkroom reliant and I didn’t have any access after school. It was very important to me that I keep making, in some way, after I graduated and I ended up ordering a loom online just to have something to keep my hands busy. I made one or two projects on the small loom and immediately knew I wanted to try it on a huge scale! Jonny built me a 5 foot wide loom (and now a couple others) and I was hooked. Jonny and I started The Eddy Line Co. together with the dream of me making art and him making furniture. I have the privilege of getting to try and see if we can make a space out in the art/maker world while he keeps his big boy job for now. He is a huge support for me though, making our looms, creating custom boxes for shipping and doing our post office runs. While I make the fiber art pieces, there is no doubt that this business is a team effort for us both.
What drew you to fiber arts?
After school, I went through a period with a lot of anxiety. I needed something that could keep my hands (and mind) busy while I figured out my next steps. I had learned some of the basics of embroidery in a textile class I took in college so I started a few small stitching projects for friends and wedding gifts. That one class “Intro to Textiles” I think it was called, was a huge inspiration for me. I’m definitely that person who just needs a few of the basics and then I’m off figuring out my own direction. Both my embroidery and hand dyeing basics came from that class.
I think I was drawn to weaving because of the color and texture and just experimented with my little loom until I taught myself some basics. I was determined to make things that I wished were out there, while at the same time not making something you could already find.
Where do you draw your inspiration for your woven wall hangings?
Finding inspiration is one of my favorite parts of making! I am a huge collector of images. I can get stuck in the Pinterest world for hours and I love it, but I also take a lot of pictures wherever I go. I look for color combinations in everything, as well as different textures, shapes, and compositions. I can see future projects in architecture, fashion, nature hikes, paint colors, plants, paintings, everything.
What is the creative process like behind making one of your pieces? How long does it take to finish a larger piece?
The process behind a piece can vary as much as the piece itself. Sometimes they start with just a color palette and a size, sometimes I just know I want it to be round and neutral, sometimes it is completely based off a photo – the same colors and composition. The less rules I place on my work process, the more freedom I have to mix it up and make new work.
I recently was commissioned to make a piece that was 5 feet wide and 6 feet long – it took me about 45 hours of actual weaving time to complete.
Do you have any recommendations for those looking to get into fiber arts, weaving, or selling online?
If you are interested in getting into fiber arts, my recommendation is just to go for it! (Same with selling online – I had to just hit start and figure it out from there or else I never would have begun.) If you are someone that works best with rules, find a class or book that can teach you the basics. If you don’t necessarily like coloring inside the lines – I think fiber art lends itself to experimentation and it can be really fun. You don’t have to make a huge financial investment to try it out, and, except for dye projects, you can pretty much pick them up and put them down for any amount of time you have. No pressure, just enjoy it. If you aren’t enjoying it, try something else.
I’m so excited to introduce everyone to artist and adventurer Deanna Jensen from Dear Summit Supply Co.– Deanna creates durable gear for adventurers, and you can follow her blog and Instagram for the inside scoop on what’s new!
Can you tell me a little bit about yourself, your business, and your blog? What does it take to run a handmade business?
I’m a full-time mom and wife from the Midwest with a healthy addiction to mountains and the outdoors in general. I own Dear Summit Supply Co. – a brand with which I’ve made leather journals and sketch books for over eight years, and more recently began adding in vinyl stickers and hand-printed shirts with my designs, all aimed at inspiring and equipping outdoor adventures. I also write the occasional blog post about my National Park shenanigans or sharing tips on creativity and journaling.
Running your own handmade business is not an easy thing to do, but it is incredibly rewarding. It takes a lot of hard work, self discipline, and follow through. I think people imagine me sketching and painting away all the time, but the reality is that the business side of the work (paperwork, emailing, planning, marketing, etc.) takes up a lot more of my time than the creative work.
But whenever I start to feel overwhelmed with the business end of my work, I remind myself that those parts of the job are what allow me to pursue the creative work I’m truly passionate about, and that’s totally worth all the struggle along the way.
What are your favorite national parks and why?
I am a huge fan of America’s National Parks system and the amazing natural landscapes they preserve. My favorite national parks right now are Sequoia and King’s Canyon National Parks in the southern Sierra Nevada mountains of California. My husband and daughter and I spent several days hiking there last summer and it was just magical. The Giant Sequoia trees are so huge and majestic, and will take your breath away. Hiking among them made me feel like I was in on some grand, enchanting secret.
And of course, that trip was also a goldmine of inspiration for my art!
If I could, I’d love to go on an extended road trip someday, visiting as many national parks as possible and staying a week or two in each one.
What are your thoughts on adventuring?
I define adventuring as just about anything that pushes you out of your comfort zone and challenges you – but ideally outdoors. That could mean a two-week backpacking trip, far removed from civilization, or it could mean a walk around the block in the rain. This is something I’m really passionate about because I believe that getting outside and seeing new landscapes and trying new experiences is one of the best things we can do for ourselves as humans. Study after study continues to confirm the stunning array of ways in which spending time in nature positively affects our minds and bodies.
We spend so much time sitting down and staring at screens that I think we forget what it feels like to have dirt between our toes or to listen, really listen, to the music of birds calling to each other. There’s something about walking through a forest or hiking on a mountainside that reminds us that the world is much bigger and more beautiful than our own worries!
What is the process like creating one of your stickers versus one of your handmade journals?
The process for creating a journal is quite different from the process to create a sticker. Making a leather journal is very time and labor intensive, requiring hours of precise work for each individual journal, even if I’m making multiples of the same design. I start with blank paper and hand-tear the pages down to the proper size, then fold them and punch the holes for stitching. The leather has to be cut and carefully punched as well before I stitch the two together with waxed linen thread.
I made journals for over eight years and even developed my own method to screen-print my mountain design onto the leather covers, but I’ve recently decided to retire my journals because of some shifts in my personal and business priorities.
With stickers, I draw out the design on paper and then edit it in Illustrator, where I might smooth out edges and play with the arrangement of words or other elements. This process feels really free and fun for me, plus, once a design is done, it’s done. I can send it off to the printers and I don’t have to repeat the process over and over for each sticker I sell, freeing me up to create more new designs (or just spend more time outside with my daughter).
Can you tell me about your Tiny Pages Project? Do you have any other projects in the making?
A while ago I challenged myself to fill up a teeny tiny sketchbook I had made, whose pages were about 3/4 inch tall and 1/2 inch wide, and I called the series of sketches and paintings that ensued the Tiny Pages Project. It was a great exercise in figuring out which details to focus on in order to make each tree or mountain or bear recognizable in such a tiny size. I learned a lot from it and had a lot of fun with those tiny sketches!
Currently, I’m doing a daily sketching challenge in a Baron Fig planner (inspired by my friend Jonny of @drawntosketching on Instagram). Instead of tiny size, this time I’m challenging myself with all sorts of subject matter I have never attempted before, in addition to my usual landscapes. Each week, I’m alternating between black-and-white and color illustrations, to hopefully improve in both. I’m only a few weeks into this new project, and I’ve already learned quite a bit with both methods.
Watch Deanna’s Thoreau Quote Sketch Timelapse: “We Can Never Have Enough of Nature”
I’m so excited to introduce Annie Tarasova from the DreamyMoons Etsy shop. Annie is 21, from Australia, and has a beautiful and successful shop. You can follower her on Instagram and watch her videos on Youtube.
Can you tell me a little bit about yourself and your journey with your art and business?
I have been drawing, reading and creating ever since I was very little. All throughout high school I knew I wanted to go to university to study either art or design, however at the very last minute I changed my mind at the fear of too much competition in the art and design businesses. Instead, I went on to study health science. It was wildly interesting, however after two years I realized something was missing. I didn’t have any time to express and explore my creative side – the side I treasured the most since childhood. I felt like it was leaving me.
I took a break, started traveling, and opened my Etsy shop DreamyMoons which very successfully took off and filled my life with more purpose than ever. I made a difficult decision to leave Uni to follow my heart and intuition. I knew that I needed to pour all my energy into creating.
How has social media impacted your business?
Social media made a huge impact on DreamyMoons. Before opening my Etsy shop I already had a following as I absolutely loved expressing myself through photography and videos. I am so thankful for the audience I already had on Instagram that followed every bit of my journey and supported my business from the beginning. I feel like nowadays there is no better way to promote your business other than on social media – it is what we check if not every day, then most days.
I draw my inspiration for my art from our beautiful Universe. Through my art I am exploring the divine connection between us and the world around us. I am very interested in astrology and celestial bodies – I find it unbelievable that we live on a blue ball rotating around a star in nothingness. My artworks often contain stars, planets and moons.
I wanted to create something more than just a calendar. Year of Growth is a 2018 lunar calendar which shows what phase the moon is in every day of the year. Most importantly, the reason why I chose to call it “Year of Growth” is because every month has it is own goal and/or intention, whether it is meditation, spending more time in nature or writing. Each monthly goal is designed to help your journey to opening your mind and heart.
I travel. That is just as important to me as painting. I can not stay creative and productive if I am home for a long time. I have this crazy urge to travel. It is the best feeling coming back home from a trip, feeling fresh and inspired and motivated to make things happen. It really helps that my partner is a photographer – if he is away for a job overseas, he is able to take me. Travel is a break from expressing myself on paper, however not a break from creativity. I still love to take photos and film videos and share them on my social medias.