Skillshare is a wonderful placewhere you can learn how to build skills without paying the high price of taking an in-person workshop or class elsewhere online. It’s also a great place for artists to launch courses teaching others how to hone artistic skills.
This article features 5 art instructors who share their top tips for launching your Skillshare art class!
1. What should you teach? Find something that you are good at and that others would want to know how to do. It should be something that balances useful and fun.
2. How should you structure the class? In my experience, classes that are centered around a clearly defined, shareable project are the most successful. The more accessible (easy to do for everybody at all levels) the better, but going more niche or pro is also good. Use the project to demonstrate the skills you are teaching. Avoid teaching skills that cannot be used in the project. Keep things as concrete and practical as possible. Provide clear, actionable steps, and easy to follow examples.
3. How should you engage your students? Be positive, encouraging and authentic in your videos. Look at the camera, sit upright, and use your face muscles (this is hard for me, since I have a bad case of RBF). Follow the Skillshare Class Guidelines and Class Publishing Checklist. Once you publish your class, respond ASAP to each and every class project. Encourage and praise all efforts. Don’t offer too much critique unless asked. I find most students want to share and celebrate, and often feel quite vulnerable. Share their work on your social media feeds if possible. Keep the overall class length to 30-60 minutes if possible.
4. How should you produce your class? While quality matters, and the better your A/V equipment the better the quality of your class, the absolute most important thing is the quality of your content/topic, the structure of your class, and the clarity in which you deliver that. Tabitha Park teaches this helpful class on using basic equipment to record and edit your class. You can also peruse the Skillshare Class Production AMA discussion I held in July 2018 for some tips.
5. How long will it take to produce a class? As long as it takes. Personally, I spend 100-300 hours each class, from early brainstorming, to writing, to recording, editing, and creating all the demo assets. As with most things, it takes a long time to craft something of high quality. Hopefully you can work faster than me, but be prepared to put in the time and do it right. You only get one chance to hit Publish on your class and make that first impression.
“Think about something you do in your art practice that people may find helpful or interesting. Maybe you do things a certain way, have developed techniques, shortcuts and systems, or use a particular program, app or art material. Maybe you have specialist knowledge in a certain field. Teach what you know and what you do.
Don’t be overwhelmed by the technical side. I had never even filmed a video on my phone before, but if you join in with Skillshare’s 30 Day Challenge for new teachers and look at the Teacher Handbook you will be armed with all the information and encouragement you need. You can get started without a huge outlay using minimal equipment.
Once you launch your class, be sure to market it on social media to let people know about it. Again, there is plenty of information about this in the Teacher Handbook. Consider making a short taster video about your class to share on social media, and mention that people can get a free trial of Skillshare Premiumusing your link. The sooner you market your class, the sooner you will get enough students to appear in the Trending section, which then means you will get even more students enrolling.”
Comic artist and illustrator Camilla d’Errico, who has done work for clients such as Dark Horse Comics, Image Comics, Random House, Tokyopop, Hasbro, Disney, Sanrio, Neil Gaiman, and more, recently launched a course called “Imaginative Drawing: Developing Concept Art Characters” on Skillshare (take the class here). Camilla shares a brief comment on starting a Skillshare course:
“Starting up with Skillshare is a fantastic way to share what you know and connect with a knowledge-driven community. My pro-tip is to be prepared! Set out all your materials neatly in advance, and plan your lessons and steps ahead of filming. Then get ready to share share share your new lesson links on your social media! Promoting your new releases and where to find them is a huge part of being an independent artist!”
“My vocation goes beyond painting – I’m also passionate about using my experience and success to help other creatives reach their full potential. I believe in community over competition, and devote a large part of my brand to creating resources that allow fellow artists to thrive. I’ve published a series of video courses on Skillshare that educate fellow creative entrepreneurs in building their businesses. My classes cover a wide variety of topics, including finding your artistic niche, marketing through social media, selling artwork online, working with clients, and making a name for yourself in the online art world.
Your class doesn’t have to be 100% perfect to hit publish. You’ll learn as you go and get better as you become more familiar with the process. The first time I filmed an intro video, I had no idea what I was doing. I thought filming in a jungle cafe would be exotic and interesting, but I was dead wrong– the humidity blurred my camera lens and my voice was overshadowed by the background noise of chirping geckos. I can chalk that up to inexperience and learn from my mistakes.
Now, with several classes under my belt, I’m more familiar with the production process, including what works and what doesn’t. Teaching online is a constant learning curve; every time you publish a new class, it’ll be more polished than the one before.
Don’t forget to get involved with class discussions– this is a great opportunity for you to check in with your students and make sure they’re getting the most from your class. I’ll often answer questions in the discussion thread that give me bonus material for new class content as well.
Lastly, have fun with it! I choose my curriculum based on the things I wish I would have known when I was first getting started. I try to infuse my sense of humor into the content, especially in my more technical classes where it’s probably needed most. My classes are a mixture of art/technical content and business advice.
By creating a series of video classes on Skillshare, I’ve been afforded the opportunity to become an educator and directly help thousands of fellow creatives– whether it’s helping my students learn new tricks in Photoshop or provide tips about running your own business successfully. I’ve found it empowering to be able to use my personal experience to help other creatives reach their full potential.
“After many years as a zoo educator, I was faced with needing to switch careers due to health complications, and so my journey as a self employed artist began. My relationship with art had ebbed and flowed through my life, but it was around this time when I first found watercolors. I immediately latched on and refused to let go. Taking hold of my background in education, I began creating content for YouTube which later expanded into Patreon tutorials, but I was missing a sense of the depth and professionalism that I used to experience in the classroom.
In addition to my love for animals and watercolor, I also found myself completely fascinated with the actual pigments that are used to make various paint colors. In watercolor, these characteristics are especially intriguing due to the transparent nature of the medium. Expanding on a few different series I had previously created on YouTube, I turned to Skillshare to make my first in depth online courseexploring watercolor mixing based on pigment properties in order to provide others with information I myself was so excited to learn. I believe that is a key component to creating engaging content on this platform: embracing your own passions.“
*This post contains affiliate links. If you buy anything from the referral links in this post, it will be at no extra cost to you and supports both The Art Spectrum and the artists featured in the post.
I’m excited to kick off the New Year with an artist interview with printmaker Cassie Byington! You can check out Cassie’s work on her Etsy shopand follow her on Instagram.
Can you tell me a little bit about yourself and your journey with art? How did you get into printmaking?
I think I have loved art in general for as long as I can remember. In high school, art class was the highlight of my day. But imposter syndrome set in soon after and I didn’t really create art again until after I got my BA in History. I minored in Art History which helped reignite my interest in art. I think it was learning about Andy Goldsworthy in my Art 101 class that really helped me re-frame how to think about art. He would create simple yet beautiful things out of nature which would inevitably break down soon after he made it. And I realized that he was doing it for the process, the purity of creation, and that is the motivation I wanted to have.
Well, I wasn’t sure what medium I wanted to pursue until I saw block printed art in a museum a couple years ago. They also displayed the blocks themselves and I loved seeing all that texture, the process was so evident, I loved it. I thought, I can totally do that! So I bought a small printmaking kit soon after and just kept going.
Where do you draw your inspiration from?
It’s hard to pinpoint my inspiration because I feel like it comes from so many places. I think I started out making art that I wanted to have in my home but wasn’t finding it elsewhere. I craved simple but effective images in a world that is over-saturated and over-designed. I love mid-century modern/ Scandinavian design for this reason.
Do you have any fun projects in the works or in the back of your mind for the new year?
I really want to get into fabric printing more, especially kids clothing. Being a toddler mom, I have noticed that simple yet interesting kids clothing is hard to come by. Fabric is more temperamental so it will be interesting!
How has selling on Etsy been going since you started your shop?
Selling on Etsy is hard, it takes forever to gain a following, and I don’t feel like I really have one on Etsy yet. The best way to go about it is promote yourself on other platforms such as Instagram, that seems to be working for me!
Do you like to listen to music while you create? What are some good listens you’d recommend?
I loooove Spotify premium and I will try to convert everyone I meet. It really depends on my mood! Sometimes I listen to 80’s hits or sometimes ambient instrumental music. I think every creative should explore the “Focus” category on Spotify, lots of great playlists in there.
Disclaimer: I receive a a small commission at no extra charge to you when you purchase anything from certain links in this post.
The most difficult part about selling art online or otherwise is that there are so many strategies out there that it’s easy to become overwhelmed. I’ve found that learning how to promote my art on Pinterest specifically is one of those strategies that shouldn’t be ignored.
The reason I’m so excited about Pinterest is because I know it’s a gold mine – over the past few years, nearly all of my art sales have been the result of viral pins on Pinterest. I’ve found that sticking to the following rules and using Tailwind have improved my Pinterest views, engagement, and sales with my artwork on Etsy and my artist website.
When you confirm your art website with Pinterest, it allows you to see what people pin from your website, and adds your logo to any pins made from your site.
Once you have your Pinterest for Business account, you can start posting “Rich Pins“. Rich Pins are pins that contain important information, such as price, where to buy, and more. To learn more about how to set up Rich Pins for your business, click here.
Group boards have been integral to my success on Pinterest! When you post to a group board, your pin will be seen by a much wider audience, and possibly re-pinned more readily by others.
To find group boards, you can search Pinterest boards for a topic you’re interested in, with the word “group” as part of the search. To join, most group boards will have instructions for you to follow. You can also create your own group boards by inviting others to pin to a group you create.
Here are a few helpful art group boards that I’m a part of:
Tailwind is a magical app that lets you schedule your pins on a virtual calendar, and these pins are posted automatically and on schedule. So, why is Tailwind so great?
Tailwind is easy to use, as you can download a button to your browser and easily schedule pins directly from your blog posts, website, shop, and Pinterest itself.
You can create lists of boards for certain types of pins. For instance, I have a list called “Artwork” that contains 14 boards, and one called “Artwork and Etsy” which contains 28 boards, for those pins that fall in both categories. If I choose one of those lists and schedule my pins, that’s 28 pins scheduled to be pinned over about a week or two of time! This helps you schedule way in advance and not seem spammy.
Joining Tribesmeans that you’ll be part of Tailwind communities of people who will potentially re-pin your pins, and you theirs. Here is an overview of the stats from one of the tribes I’m in for creatives:
Tailwind now has a new feature for scheduling on Instagram and Instagram Stories! I haven’t tried this one yet, but looking forward to it.
Tailwind also has a hashtag finder!
When I first started withTailwind, my average monthly viewers were hovering around 42,000 – my profile had been around for awhile, and it hadn’t gone up or down for months.
Within one week of using rich pins and scheduling my pins in Tailwind, and using Tailwind Tribes, my Pinterest average monthly viewers increased by 16,000, and by the end of August it skyrocketed another 22,000, with a total of 38,000 average monthly viewer increase! My average daily viewers and people engaged with my pins increased dramatically and I made some sales on Etsy. By the end of 2018 I had gained an extra 100,000 average monthly viewers and a daily increase of around 5,000 viewers and impressions. My stats also spiked as I became more involved in Tailwind tribes after taking a couple months hiatus due to morning sickness.
I’m so excited to introduce everyone to fiber artist Mandi Smethells! Her imaginative fiber wall hangings are just the thing to brighten a room. You can find Mandi’s work in her Etsy shop, and follow her on Instagram and Facebook.Mandi’s work was also recently featured in the Mollie Makes magazine!
Can you tell me a little bit about yourself and your journey with sculptural fiber arts?
I am a full time fiber artist living in St Paul MN. This “job” is a dream come true and something I have been working towards since the moment I decided as a child I wanted to be an artist. I only discovered fiber art a little over four years ago, and I have been obsessed ever since. I spent several years working in weaving techniques, and felt driven to discover new ways of working with the fibers and colors I loved so much. Eventually the sculptural elements I was adding to my weavings started to stand alone and are now the wall hangings I create.
What is like as an artist/creator in Saint Paul?
I feel so fortunate to be a fiber artist in this vibrant community. Neighboring Minneapolis has a wonderful Center for Textiles (I teach a few classes there), and there are so many incredible artists working in the area. The seasons of Minnesota impact my work as I “feel” different colors and shapes associated with the weather. It’s inspiring!
Where do you draw your inspiration?
I definitely have developed a collaborative relationship with my older daughter who is nearly seven. We have brainstorm sessions to discuss colors and shapes, and she will even sketch ideas to work off of! She will tell everyone she meets that she suggested I make a sun. Being a mom, and observing daily the wonder and imagination of my children, is my biggest inspiration.
Do you ever receive custom requests?
I frequently have the opportunity to create pieces based on beautiful spaces, often nurseries or children’s rooms. I truly enjoy imagining the families spending time in these spaces with my work, and it brings me joy.
What has business been like on Etsy?
I am so very busy with orders and all the other facets that are a part of being a “one woman show,” and Etsy has made it so simple for me to manage listings, shipping, sales data and marketing. I value anything that makes my life easier, and I do find a lot of new customers through the Etsy marketplace.
This modern calligraphy kit was designed to take the anxiety out of learning modern calligraphy. This kit can be purchased three different ways – as an e-book, an e-book with pens, a physical book, or the physical book with the pens – you choose! The full kit contains:
90-page spiral bound workbook *including THREE fonts*
9 different lettering tools:
2 Tombow Dual Brush Pens
1 Tombow Fudenosuke
1 Artline Stix Ombre Brush Pen (color varies)
1 Pilot G2 Pen
1 Tombow MonoTwin
1 PaperMate Flair Pen
LIFETIME ACCESS to extra copies of the worksheets.
This beautiful calligraphy starter kit from Rachel Carl comes in a gift box and a short instruction page – this kit may be easier for those who have already tried their hand at calligraphy. The kit includes:
1 Oblique Pen Holder
4 of Rachel Carl’s Favorite Nibs
Small or Large, Black or White Ink Bottles
4 Ink Holders
1 Wooden Ink Well Holder
1 Calligraphy Journal for Practicing (you can customize this with a name)
2 Exemplar Alphabets of Rachel Carl’s Signature Modern Calligraphy Font as well as a an additional Calligraphy Style Alphabet
If you’re the type of person to learn more easily from video tutorials, check out these awesome hand lettering classes on Skillshare! The Art Spectrum has partnered with Skillshare to give readers 2 free months of Skillshare Premium!
Can you tell me a little bit about yourself and your journey with art?
Art is something that I’ve always done, even before I knew what I was doing was considered art. It sort of just pours of my ears, even when I’m not really paying attention, I’ll find myself sketching or creating some random rearrangement of the things around me. I tell people a lot of my practice comes from not being able to sit still, and that is one hundred percent a true fact. My embroidery work began out of a desire to make my mark onto clothing but to also give my hands something to do while relaxing, (which sounds a little backwards) like watching a movie or talking on speakerphone to my mom. And before embroidery, it was doodling, and before doodling it was friendship bracelets and before that, it was making lanyards at camp. (It is no shock that I have given many homemade gifts over the years.) So armed with all of this energy and love for making, I entered college where I studied art, and was taught the importance of segregating art and craft, which just generally confused me. A lot of what I create in my art is based in my knowledge of crafting, as I think is pretty common for most artists, particularly female artists. Craft is an accessible form of art, in my opinion, so it seems pointless to exclude it from the conversation.
What is life like in Portland, Oregon? Any favorite spots that get you inspired?
Portland is an awesome place to live for artists. The rainy times can make for some great introspective creative moments, especially in the winter because the rainy gray season does provide kind of a natural “hibernation” almost, where you can kind of hunker down and get really focused on your art. That may not sound super exciting but the best part about rain is that it literally makes Oregon so green. The trees, the grass, the flowers (the roses in particular) everything grows like crazy thanks to the rain. And once the winter is over, you can really see how beautiful this place is. Being born and raised in the Midwest, the most magical thing about living in Portland is that I can drive to the ocean in less than two hours. It’s magical, it’s healing and it’s very cold.
As far as in town, it’s so hard to pick a favorite place to get inspired because I find new exciting spots all of the time. The City of Portland has an amazing public art program, so there are murals and sculptures and interactive pieces of art all throughout the city, some of which are gigantic and hard to miss and others that are only three inches tall and only available to the most observant. Downtown Portland houses America’s seventh oldest art museum, the Portland Art Museum, which is filled with wonderful works and is always worth spending the afternoon in. I could keep going on about Portland, but I’ll stop myself there. It’s obviously an amazing place to live and I’m glad I’ve found it.
Can you tell me a little bit about your first solo show? What was the venue? How did it go?
My first solo show was super fun and definitely nontraditional as far as most art exhibitions. The venue was at an awesome vintage candy store here in Portland (Candy Babel on NE Alberta St), that features lots of different bright colors of candy in glass jars among cool unique vintage furniture pieces. And somewhat unsurprisingly my artwork fit in really well with the décor, since both are quirky and colorful. There was great feedback from friends and strangers on my art during the opening reception and throughout the entire month my show remained up. I can’t wait for more exhibitions, I definitely have plenty of ideas.
What are some of your go-to art products?
My favorite paint to use on fabric is Jacquard Fabric Paints, specifically:
Lumiere, a pretty metallic sheened fabric paint that covers dark backgrounds
Neopaque, a fabric paint like the Textile Color, but goes on dark backgrounds
What is your like process for creating your hand-painted t-shirts?
Each shirt is totally unique, since I hand paint every one. Currently, I’m choosing to paint a one of a kind set of images on each shirt, which is time intensive but very rewarding. The way I approach creating the designs is very similar to doodling out a train of thought. I’ll pick out maybe four or five colors of paint and then I stand over the shirt and think. Starting the piece is always difficult, since you need to come up with that first image to paint. I don’t like to begin with a specific idea or theme or train of thought in my head, because it doesn’t feel as organic as when I let my brain roam freely in my associations of different objects, just thinking about and picking one at a time. It is such a small difference, I know, but I really enjoy stepping back once I finish a shirt and finding the common thread or small narrative I created through my painted doodles. I think someday I may paint shirts that are not all one of a kind, and maybe focus on one image on many shirts, but for now I am enjoying my slow process!
It is my pleasure to welcome to the blog Australian painter Jaqueline Burgess! Originally born in South Africa and now living in Australia, Jaqueline’s paintings are inspired by a strong sense of place. You can see and buy Jaqueline’s work in her Etsyshop or on her website. You can also follower her on Facebook and Instagram.
Can you tell me a little bit about yourself and your journey with art?
I was born in South Africa, and at 19 decided to travel and see a bit of the world. For 9 years my love of drawing and painting led me to a variety of part-time work – I painted murals, decorated restaurant and bar menu boards, illustrated, painted commission pieces for private homes and ended up teaching art in a London school. I communicate through my art, It brings balance and grounding to my life and it encourages my children to always create.
What was life like living in South Africa? Can you talk about how living there has inspired your work?
South Africa is so unique and diverse in its culture that naturally a sense of creativity and adventure became an inherent part of my personality. Surrounded by the Zulu and Indian cultures brought about a colourful and somewhat decorative approach to my art. Through most of my works, reference to pattern and subtle ornamentation is present in the compositions.
What is the process like creating one of your wildlife portraits?
Painting something from nature is always a special process. I begin with sourcing photos online for inspiration, a couple of sketches later I sit down with paint and brush to bring the drawing to life – finishing with the animals eyes is the most exciting part.
What are some favorite materials you use in your work?
What have been some of your favorite exhibitions and projects over the years? Are there currently any upcoming or in-the works projects or exhibitions?
Each year I set myself the goal of painting a portrait for the Archibald Prize. In 2016 I submitted my entry of a portrait of my eldest daughter and her friend to the Doug Moran National Portrait Prize and was selected as a semi finalist. Last year I was asked by a gallery in Melbourne called Otomys to create a group of seascape paintings for their sister gallery in Sorentto.
Last year was also a huge step in opening a joint family business which comprises a coffee shop and art gallery /gift store called Sketch Coffee & Art in Towradgi NSW (follow us on Instagram and Facebook!). The concept of the store is to serve local and fresh produce, with local roasted coffee. Customers enjoy the gallery space and peruse the gift store whilst enjoying breakfast and lunch.
Sketch Coffee & Art houses only Australian and locally made artworks, textiles, ceramics, stationary, jewellery, photography, and homewares, to name a few, alongside a rotation of my own large artworks on canvas. Its a very special corner of Wollongong that encourages the locals to get creative with monthly sketch competitions. Sip coffee whilst you sketch- people love it. I have also just recently released a textile range of beach Sarongs and scarves called WEAR THE ART as well as soft furnishings for the home.
It is my pleasure to feature artist and graphic designer Rachel Roe on the blog! Rachel is a St. Louis based artist and you can check out her Etsy shop, her website, and follow her on Instagramand Facebook.
Can you tell me a little bit about yourself and your journey with art?
My name is Rachel Roe. I am an artist and graphic designer based in St. Louis, MO. I work from my backyard art studio — a space my husband built for me to encourage my career as a full-time artist.
I have a Bachelor of Fine Arts with an emphasis in graphic design. So out of college, and for 4 years after, I was a full-time graphic designer (doing art on the side) working for a company that wasn’t fulfilling or pushing my creative limits.
I’ve always had an interest in art but I never thought I could do it as a career — partly because of the sheer logistics of it but also partly because it was a scary transition from my comfortable job as a designer. But after a few encouraging voices and a leap of faith, I quit my 9-5, and started my career as a full-time artist.
What is life like in Missouri? Any places in the area that inspire you or that you generally like to hang out?
I live in the outskirts of St. Louis so I get the hustle of the city but also the serenity of hiking trails, rivers and lakes all around me.
I’m lucky to live close to some pretty amazing/inspiring art museums. However, lately I’ve been trying to rely less on inspiration and more on discipline. Inspiration and motivation can be oh so fleeting. I’m learning I may not always be motivated but I can always be disciplined.
Can you tell me a little bit about your vintage uniform series? What was the impetus behind the people being faceless?
The vintage inspired pieces were initially created around my admiration for vintage uniforms. By abstracting the faces and settings, the piece becomes more about the uniform and the type of persona it creates rather than focusing on a specific individual. The fluid/abstracted brushstrokes compliment the piece making it feel like a faded memory.
What are some of your favorite art products/materials?
I love painting on birch wood panels. Being able to see the grain beneath the paint adds a natural element to the overall composition.
What have been some of your favorite projects and/or commissions? Any exciting paintings, projects or upcoming events in the works?
I’m always honored when people ask me to paint a commissioned piece of their loved one. I’ve done faces, families, dogs and buildings. It’s always crazy for me to be painting, painting, painting and all of a sudden… I stand back and there’s a personality staring back at me. Faces aren’t always the easiest things to paint but they sure are rewarding.
I’m currently preparing for my first big art show. I’m producing tons of new works so it’s been so exciting watching my studio fill up with art.
I’m so excited to introduce everyone to painter Elizabeth Boudreau! You can find Elizabeth’s work in her Etsy shop, Whimsical Weasels. You can also follow her on Instagram.
Can you tell me a little bit about yourself and your journey with art?
Sure! My name is Elizabeth Boudreau. I’m a working artist in Athens, GA, creating illustrative wildlife paintings. I graduated in 2017 from the University of Georgia with my BFA in Drawing and Painting. Since my childhood growing up on a farm in the state of Washington, I have always held a special relationship with animals. In my adult life, that relationship has turned into one of creativity and compassion.
One of my greatest pleasures in life is travel. I love to see the world, visit obscure corners of the globe and experience the wildlife and culture. Many of my travels have resulted in projects during and after the trip. An example that comes to mind is my Costa Rican field guide book, created almost entirely during my stay and displaying the creatures observed in person. This past summer I had the joy of visiting South Africa, where I was spoiled with wildlife! The result: 72 art cards to result in one large composite poster.
You see, I love drawing and I love animals. It’s heartwarming to have the chance to pursue my passion.
What is life like in Athens, Georgia? Any favorite spots that inspire you?
Life after graduation here is a creative journey! I spend most of my days in my studio, creating personal and custom pieces. The area has many artist-friendly venues that showcase and bolster the careers of young artists. I recently developed a great relationship with Trio Athens, a gallery that shows and prints for local creatives. It’s also fun to see quirky art projects pop up around town, like knitted gnome trees that hide around unknown corners. It’s the spunk like this that keeps my love for Athens burning strong!
What is the process like behind creating your animal paintings – do you sketch, then paint? How do you go about finding references?
Typically, I begin by lightly sketching out the basic shapes of my subject, creating a composition that feels right. After the main sketch is laid down, I boldly delineate the subject in preparation for my favorite part…COLOR! My primary medium is gouache, sometimes layered with watercolor or marker.
The true delight in painting for me comes from troubleshooting. I adore the feeling of satisfaction when a troublesome area suddenly resolves with a resonating ‘ding’ from the light bulb in my mind. It is a constant process of layer, step back, observe, tweak, move on. It is so satisfying to see a piece come to fruition.
References for me are a staple, helping me create anatomy and structure in my figures. Most of my reference material comes from photos during travel.
What are some of your favorite art products/materials?
Oh, there are many great materials floating around! I will list below some staples in my studio, materials I heavily trust:
Any exciting paintings, projects or upcoming events in the works?
Yes! The studio is in full swing right now preparing for the DragonCon art show! This is my first year participating and I am very excited. A few commissioned pieces are in the works and always ready for more. I love to create and see the joy my art gives others.