Delphine Leviste: Collage & Diorama Artist from Amboise, France

 

It is my pleasure to introduce Delphine Leviste from Amboise, France – collage & diorama artist from the Atan Mouala Etsy shop. The following interview contains both English and French translations.

Can you tell me a little bit about yourself and your journey with art? Pouvez-vous me parler de vous-même et de votre voyage avec l’art?  

As far as I can remember, I always drew. While I was a child I was rather reserved and shy, and this was my way to light. I remember that on each of the doors of my elementary school, the teacher had hung one of my “works”. Childhood is golden…something to continue to cherish  and especially not to forget for the rest of your life. No doubt this is why I naturally became a teacher. I work and attempt to convey my passion every day to youth 10-15 years old. Each of my activities feed each other, being an artist at home and a teacher
the rest of the time.

D’aussi loin que je puisse me souvenir, j’ai toujours dessiné. Alors que j’étais une enfant plutôt réservé et timide, c’était ma façon à moi de me mettre en lumière. Je me souviens que sur chacune des portes de classe de mon école primaire, les maîtresse avaient accroché une de mes “œuvres”. Pour moi, l’enfance représente l’age d’or…celui qu’il faut continuer à porter et surtout à ne pas oublier tout le reste de sa vie. Sans doute est ce pour cela que tout naturellement je suis devenue enseignante. Je travaille et essaie de transmettre chaque jours ma passion à des jeunes entre 10 et 15 ans. Chacune de mes activité nourrissant l’autre, plasticienne à la maison, enseignante le reste du temps.


Where do you get inspiration for your art, in particular your art boxes? Où obtenez-vous de l’inspiration pour votre art, en particulier les boîtes d’art?  

I arrived at drawing through observation of by studying the natural world. My sources of inspiration are often from nature and cabinets of curiosities. I’m constantly producing work on large format canvases…this was a challenge for me being a small woman! And then when I became a mother, we had to find another way to work for lack of time and space! As I tired of pencil drawing, I began to create dioramas, which allowed me to go smoothly to creating a larger volume of work. I currently have a collection of 100 small boxes (but I’ll probably not stop here!). I found the idea of a new diorama from my collections of “little things” that accumulate at the bottom of my drawers, and I’ve noticed that the link with childhood is more present in the latest boxes I’ve created. My starting point can also be an old photograph. In that case I then feel very invested in giving new life to the forgotten faces in the photo.

Je pense être arrivée au dessin à travers le dessin d’observation de mes leçons de sciences naturelles. Aussi mes sources d’inspiration ne sont jamais très éloignées de la nature et des cabinets de curiosités.
Pendant longtemps j’ai produis des toiles de grand format…c’était comme un challenge pour moi qui suis une toute petite bonne femme! Et puis lorsque je suis devenue mère, il m’a fallu trouver une autre façon de travailler afin de composer avec le manque de temps et de place aussi! De coup de crayon en coup de crayon, j’en suis venue à créer des dioramas, ce qui m’a permis de passer en douceur à la mise en volume. Je me suis fixée comme objectif de constituer une collection de 100 petites boîtes (mais je m’arrêterai sans doute pas là!). Je trouve l’idée d’un nouveau diorama dans mes collections de “petits riens” de “pas grand chose” que j’accumule au fond de mes tiroirs…je remarque que le lien avec l’enfance est de plus en plus présent dans mes dernières boîtes. Mon point de départ peut être une photographie ancienne. Je me sens alors comme investit de la mission de donner une nouvelle vie à ses visages oubliés.


How is life in Amboise, France? Do you enjoy selling on Etsy? Comment se passe la vie à Amboise, en France. Aimes-tu vendre sur Etsy? 

I just moved to Amboise this summer, which is in the center of the France: this is a big change in life for me my husband and two kids! (before we lived just north of the France). Amboise is a beautiful city that is part of a UNESCO World Heritage cultural landscape. It is also the city of François 1st and Leonardo (his tomb is here in the castle of Amboise). This life change has slowed down my artistic activities in recent months, but I have just finished installing my new studio – photos on my blog – and I cannot wait to get back to it.

Etsy was a revelation for me. I can create without stress and at my own pace,and I have fun seeing my dioramas go to the four corners of the world. It is a possibility that I would have never been if forced to use the classic exposure systems. It was also an opportunity for me to gain regular clients. I also spend a lot of time browsing on there (and sometimes buying). I’ve found so many varied, inspiring and high quality creations.

Je viens d’emménager à Amboise, au centre de la France, cet été: C’est un grand changement de vie pour moi mon mari et mes deux enfants! (avant nous habitions tout au nord de la France). Amboise est une magnifique ville, classée au patrimoine mondial à l’Unesco.C’est aussi la ville de François 1er et de Léonard de Vinci (son tombeau est ici, dans l’enceinte du chateau d’Amboise). Du coup ce changement de vie à quelque peu ralenti mes activités artistiques ces derniers mois, mais je viens tout juste de finir d’installer mon nouvel atelier –des photos sur mon blog– et j’ai hâte de pouvoir m’y remettre.

Etsy a été pour moi une vraie révélation. Je peux créer sans stress et à mon rythme, et ,je m’amuse de voir mes dioramas partir au quatre coin du monde. Possibilité qui m’aurait jamais été offerte si par le systèmes d’exposition plus classique.Ce fût aussi pour moi l’occasion de faire des rencontres, avec des clientes régulières. Je passe aussi beaucoup de temps à m’y promener (et parfois à acheter). Je trouve qu’il y a des créations très variées, inspirantes et de très bonne qualité.

What kind of music do you like to listen to while you create? Quel type de musique aimez-vous écouter pendant que vous créez?   

I have very eclectic taste in music. When that I create I need music that moves, often something like rock, but sometimes Bjork…the atmosphere has to be playful!

J’ai des goûts musicaux très hétéroclites.Lorsque que je créer il me faut de la musique qui bouge, souvent du Rock mais aussi parfois du Bjork..il faut que l’atmosphère soit enjouée! 

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Papermaking Kit Giveaway with Wooden Deckle!

Papermaking Kit Giveaway with Wooden Deckle!

Message from Wooden Deckle Shop Owner Elizabeth W.

Wooden Deckle papermaking kits were a natural progression from my love of making botanical art, and wanting to equip others to do the same, right along with me.

Enter to win your own papermaking kit from Wooden Deckle!

At Wooden Deckle our mission is to get you up and running at making paper, so that you can make great things. Our kits enable you to recycle paper to make handmade paper in a variety of sizes, for a variety of purposes.

We specialize in small and sturdy mold and deckles for practical everyday paper making. By shredding used printer paper, wrapping paper, sheet music, greeting cards, etc., and processing them in a kitchen blender, new life is given to what was once destined to be thrown away.

Finding a second use for something instead of throwing it away is good for our earth, and honors the One who made it.

Enter to win your own papermaking kit from Wooden Deckle!

-Wooden Deckle LLC is located in Twin Lakes, Wisconsin.

-The frames for our mold and deckles are handcrafted in the U.S.A.

-We get a little help from our friends… our boxes are folded and the labels for our paper making kits are applied by hardworking individuals at VIP Services.

-We assist educators/teachers interested in papermaking in the classroom.

Enter to win your own papermaking kit from Wooden Deckle!

Wooden Deckle Paprika Paper - Enter to win your own papermaking kit!

You can follow Wooden Deckle on Facebook, Instagram, Pinterest, and Twitter.

We are offering a papermaking kit of your choice – whichever one you could best use, to make great things!

Please explore all of our papermaking kits woodendeckle.com or at etsy.com/shop/WoodenDeckle.

Papermaking Kit Giveaway




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Interview with Romanian Painter Ioana Iacob: Transforming Traditional Romanian Roof Tiles Into Works of Art

Interview with Romanian Painter Ioana Iacob

It is my pleasure to introduce Ioana Iacob from Bucharest, Romania who creates small paintings on local reclaimed wood roof tiles. Her Etsy shop is filled with colorful paintings that are perfect for small spaces.

Can you tell me a little bit about yourself and your journey with art? 

I have been dreaming of this all my life. Having grown up in a family where almost everybody was drawing and painting, art and colors have fascinated me since I was a little kid. Both my grandfathers painted and I loved the smell and feel of the painting studio. However, I always believed I was not good enough. Fast forward many years later, after finishing photography school and having had a few group exhibitions, I started believing in myself as an artist.

Interview with Romanian Painter Ioana Iacob: Transforming Traditional Romanian Roof Tiles Into Works of Art

As I got older, I also realized that life is too short and that we should do what we love. Painting came easy, after I discovered acrylic painting. I could not stop painting after discovering the little wooden tiles I use as support for my mini paintings. I came across them when refurbishing my parents house, in the mountains. What are they? They are actually pieces of wood used for roofing houses, the traditional way, in some areas of Romania. They are hand carved by local craftsmen and nailed like pieces of puzzles to make a perfect cover for any house.

Interview with Romanian Painter Ioana Iacob: Transforming Traditional Romanian Roof Tiles Into Works of Art

What is life like in Bucharest, Romania? Do you have any favorite spots you can recommend visitors?

Life in Bucharest is great. So is Romania. Do come to see for yourselves! I have lived in the city all my life, but rural life and Romanian traditions and country lifestyle have always attracted me. You can catch a glimpse of these by visiting Bucharest Village and Romanian Peasant Museums. There you can also see houses that have roofs tiled with small wooden tiles, like the ones I use for painting.

Where do you draw your inspiration and vibrant color schemes from? Why the use of wood?

I like living a simple life, enjoy spending time with my family. They and my friends are my main inspiration.

I also love the bright colors that bring life to the wood, make it more animated. Each small painted wooden tile can sparkle up any room.

 Interview with Romanian Painter Ioana Iacob: Transforming Traditional Romanian Roof Tiles Into Works of ArtInterview with Romanian Painter Ioana Iacob: Transforming Traditional Romanian Roof Tiles Into Works of Art

Do you have any favorite music that you like to listen to while you create?

The laughter of my three children is music to my ears and the one I listen to every time I paint. In the rare moments they are asleep, I like to listen to classical music or turn on the radio.

Interview with Romanian Painter Ioana Iacob: Transforming Traditional Romanian Roof Tiles Into Works of Art

Interview with Romanian Painter Ioana Iacob: Transforming Traditional Romanian Roof Tiles Into Works of Art

Are you working on any new and exciting projects, or have any outstanding artistic or business goals for the near future? 

Plans for the future? I have read that you become a real artist after you have painted 1000 pictures. I have yet to reach that number and call myself a true artist :). I also dream of my own studio with a garden, where I can paint under the sun.

Interview with Romanian Painter Ioana Iacob: Transforming Traditional Romanian Roof Tiles Into Works of Art

You can like and follow Ioana on Facebook to stay updated on her latest tile paintings!

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Handmade Eco-Friendly Brooches from Dariakash

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Good morning everyone! Today’s artist interview is between myself and Dariaka from the Etsy shop DariakashDariaka’s shop is based in Prague, Czech Republic, and she loves to create fun, eco-friendly brooches from recycled material.

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How did you become inspired to make your mixed media and paper mache brooches?

All my life I’ve always loved to sew, glue, cut, and invent new things. I always liked to embody my ideas in something created by my hands. As a child I sewed clothes for dolls, and invented houses and furniture for them. Then I began to sew for myself, to alter my mother’s old clothes or stuff I bought from a second hand shop. I loved to make original accessories for myself – earrings, necklaces, rings, but most of all I loved to make brooches. My friends wondered why I would make such interesting things for myself and not sell them, but I did not even think it was possible. I had another profession at the time – I was a sound engineer and always had a lot of work, and never time for anything else.

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Despite lack of time,  I always dreamed that my accessories would be worn by other people. Finally one day I met someone in the street that wanted one of my brooches. I clearly realized that I must change my life and do what I wanted to realize my dreams. It was then that I went to another country, began to paint, changed my profession (now I study film animation) and began to make brooches.

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Why mixed media? Because I have always loved trifles – beads, buttons, badges, pieces of fabric … As a child I brought whole pockets, wrappers, pins, stones, most of which I found on the street. Now I am always out at flea markets. I’ve got the idea to connect all these little things in my brooches. A perfect base for me is paper mache, because it seems to me alive, in contrast with plastic. At the same time this technique is very affordable if you compare it with something like ceramics, which requires a roasting oven.

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What kinds of materials inspire you the most? What kinds of materials inspire you the most?

I am most inspired by paper and paper mache, which gives me a kind of artistic freedom that I love. I can make beauty from nothing – there is always an empty egg box, from which I make sculpting bases for brooches- there are always old newspapers or magazines, with which I can paint on or make collages on brooches with.

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What kind of process do you go through in order to create one of your brooches?

For me it’s important to just sit down at the table and start working. To begin to sculpt, to spread out all the scraps I have, to put all the beads in front of me, to open magazines, to start to cut eyes, boots, hands – and then the ideas come – all the pieces begin to connect. Even when I have a concrete idea and I clearly imagine the brooch I want to make, thought the process it always becomes something else because suddenly I see a button that I like, or paints will mix to another color, and then I’ll choose another fabric, and decide that the bird will not have jeans but a shirt.
I do not believe in waiting for inspiration, to me it never came just spontaneously. I am confident that I must work and always look for inspiration, and then only through the process are my ideas born.

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Can you talk a little bit about the eco-friendly aspect of your brooches?

Once long ago I watched a documentary about how our planet is already overcrowded by garbage, which influenced me very much. After that I did not hurry to throw out old stuff. If I did not like my jeans anymore, I would alter them into a skirt – if a chair was broken, I would made a shelf from it. So it is with my brooches – I just don’t throw out the old buttons and beads, magazines and newspapers, the remains of fabric after reworking a dress. With these materials I make a completely new and different thing that brings me joy – a new brooch.

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I also try not use any chemical additives when working. Paper pulp, from which I make the basis for my brooches, consists of egg boxes, wheat flour, potato starch and water – that is all! I also use a non-toxic glue and paint. I had the idea to combine the stained glass technique with paper mache, but because of the presence of lead in solder and toxicity of pastes for soldering I abandoned the idea.
Of course what I do is but a drop in the ocean, but I believe that every little bit helps.

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Make sure to visit Dariakash on Etsy and follow her below!

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Sara Schalliol-Hodge : Designer & Maker of Things

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Welcome back! Our latest feature spotlights artist Sara Schalliol-Hodge from Lakewood, Colorado! Sara is “a designer by day and a printmaker, sawdust producer, and stuff-maker by night.” Read on to get to know Sara a little better, and CLICK HERE to go to her website, and HERE to go to her Etsy shop!

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What about the printmaking process do you love the most, and more specifically, why linocuts? 

I love printmaking because I love the ability to make multiples of my art. With so many forms of fine art, you can spend many, many hours creating the finished product, only to sell it just once and never see it again. And, often art can take so many hours to create that it can be very difficult to be able to charge a decent wage for all of the time you spent on it. All of that being said, buying a computer-printed art print doesn’t really appeal to me because it seems so far from being made by hand. With printmaking, each print is still made by hand and there are subtle variations in each print, so there is definitely evidence of the maker. It is hard work printing a woodcut or linocut all my hand, and I like to think that that energy can be somehow felt when viewing these prints. For me, printmaking seems to fit into a sweet spot of being affordable but still very handmade.

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Many of your designs juxtapose the themes of nature and industry. Where do you get the inspirations for your designs and what about this juxtaposition interests you? 

Nature vs. industry, or nature vs. man are themes I explored even in the art I created very early in my life. There is something so poetic about vines growing up and taking over an old car or building. I studied Industrial Design in college, and Industrial Design tends to involve mass-production, and therefore factories. It can be really strange to think about each thing you own and imagine the factory that produced it. This type of thought process made me think about how natural things are made, which is not quite in a factory…. but what if you think of nature itself as a factory? So this lead me to prints like Factory Whale, Love Factory, Salmon Factories, etc.

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Also many of my prints display animals and “the hand of man” in one way or another. Like, quite literally in my print Spark:

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But I also like to create prints that show animals having to survive in the world that man has modified, like City Lynx:

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How has business been on Etsy and do you have any advice for blooming Etsian printmakers? 

I was a very early Etsy seller and buyer and it has been interesting seeing Etsy become a website that non-artist-type people have actually heard of and shop from. My Etsy shop has changed a lot since the beginning. I used to sell wooden sculptures, jewelry displays, and chunky wooden jewelery, and now I sell only my printmaking. I have had several great opportunities come along because of my Etsy shop. Half of the brick and mortar galleries I sell at approached me from discovering my shop on Etsy, which is awesome! These days, my sales come mostly from brick and mortar galleries, and not Etsy. For me personally, sometimes it can be hard to sift through all of the shops on Etsy to find that special thing I’m looking for, but walking into a well-curated local shop usually lightens my wallet pretty easily.

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From New Zealand to Isreal: An Interview With Artist Emily Penso

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I am honored to introduce the wonderful artist Emily Penso, who has a quite interesting life story! Emily sells her surreal and whimsical artwork in her Etsy shop, Studio Lavaan, and excitedly agreed to be interviewed on the blog!

  • Can you just tell me a little about yourself; where did you grow up, go to school, what are you up to now?

I was lucky enough to grow up in New Zealand, in the South Island city of Dunedin. It was a wonderful place to grow up and although it’s quite a cold part of the world, most of my childhood memories involve sunshine and bare feet.

I am the middle of three children, with two wonderfully loving and supportive parents  who shaped our world with a comfortable home, a love of the outdoors and an appreciation of the arts – I remember many a boring gallery trip! But although at the time I would have preferred to be playing with Barbie or some other weird toy, there was always at least one art work that would completely mesmerize me.  

 During my high school years (sweet 16) my Dad landed a job in Canberra, Australia. So my small world got bigger and we moved across the Tasman. It was a tough move for me, but character building, and definitely helped guide me into pursuing art.  I ended up studying painting at the Canberra School of Art which was just awesome and completely changed my life.  
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Now, curiously, I find myself living in Israel (which is another epic tale, but involves meeting a beautiful Israeli in India and marrying him in Cyprus). We live in a lovely village on a hill with our two completely gorgeous boys, and a white cat and a black dog. We have a small olive grove which we use for making oil, a small studio which I use for making art, and lots of little vegetable gardens. It suits us well. 

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  • Your work is so surreal and whimsical, where did the inspiration for these types of works come from? Is there anything else that inspires you, just in general?

I guess my mind has always been a bit of a peculiar place, and for as long as I can remember I have been fascinated by things that are out of the ordinary. My earliest surrealist influence almost certainly came from Rene Magritte.  My parents had a book on Magritte and throughout my childhood I loved pawing through the pages. It was entertainment that never got old, no matter how old I got, and every time I looked I would discover something new.

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Another big influence would be dreams. I am a serious dreamer – day dreams and night dreams – but I am particularly inspired by night dreams as they are totally wild, complete raw sub-consciousness, and always purely surreal.  

The world around me is also a major source of inspiration; Birds, insects, trees, people, land forms, and the interactions between everything that exists – I am constantly in awe of this world we live in. It never gets boring! It is a mysterious moving masterpiece that I love being a part of. This spiritual connection that I have with life is also a bit of an influence. It is much easier for me to articulate what it is that I feel spiritually through drawing than words.

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  •  A lot of your work looks like it has been sparked by unique ideas. What have been some your favorite ideas to explore with your art?  

  “You know, most of the time my work starts as a visual idea rather than a concept that I want to communicate (consciously anyway) but always through the process of making the work I begin to understand the symbolism of what I am drawing and mostly it’s personal feelings, thoughts, experiences. I approach my work with intuition, but execute it in a very precise way! Some of my favorite visual themes have been playing with scale relationships between figures, mirroring birds, and using clouds as a very deliberate compositional device (with meaning!)

Clouds have been popping up a lot lately and they are beginning to take the centre stage. I love clouds.

  •  Do you have any advice to artists or future artists on how to promote their work or how to approach getting their work out there? Advice in general?
 I think not being afraid of self-promotion is something that many artists need to overcome, and is definitely something that I have struggled with, and still struggle with to a degree. I guess I would advise emerging artists to think about what it is they want out of their art practice and use that goal to guide them in how they promote their work.
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In general, to get your work out there… approach galleries, apply for exhibitions, get help with submitting great proposals if necessary, collaborate with other artists, get involved in open group shows, exhibit as often as you can, enter art competitions, get the social media happening, create a website, open an Etsy store, take all the steps that you think are important for you as an artist. And of course…don’t let knock backs get you down, because they will happen, and great things will also happen!
  • Do you do anything fun/interesting in your free time? Any favorite hobbies or weekend activities?  

Wow, free time is something that is completely foreign to me! My little boys keep me very busy! But, I do manage to squeeze in a little bit of yoga and any chance I get I am in the garden.  In my down time I have been known to play ‘words with friends’ on my phone ( I’m mildly addicted). If I had more free time I would love to make pebble mosaic stepping stones, sew stuff ,and I’d also restore all the shabby vintage furniture that I have collected.

When my boys are all grown up I would like to do my masters, it’s a nice dream, and I’d love to learn more skills, like basket weaving and everything to do with textiles.

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You can also find Emily on her Facebook Fanpage: Emily Penso Fanpage 

And her website: emilypenso.com

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An Interview With Ines Rocio: Etsy Artist

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This interview is between myself and Ines Rocio from the inesrocio Etsy shop. She is a visual artist living in Portugal and her work is beautiful! Make sure to show her shop some love!  

Your wearable art has vivid colors and each piece is stunningly beautiful in a very natural kind of way. What inspired you to create these pieces and what process do you go through to make them?  

First of all thank you for the invitation and for your kind words about my art work.

Nature is my great source of inspiration, I am fascinated by the vividness of colors, organic, natural architecture, overlapping tones, rhythms and energy.

The creative process begins by being in contact with the natural elements, like strolling through the park or the beach, as a botanist, collect small natural treasures, with which at the Atelier, I give life and energy to natural wearable art pieces. In the jewelry making, I use these elements as a template for the sculptural process, because I like the pace, energy and organic-ness that they give.

The watercolor is undoubtedly the artistic medium with which I identify most, because as my painting is very spontaneous, allows for endless diversity of hues, besides it is a clean paint technique  and more environmentally friendly. Really like to use metallic pigments, especially the gold because in my opinion it adds richness and luminosity to the paintings.

My painting is mostly intuitive, and I like to explore the various dimensions of pigments freeform, almost always with the purpose of transposing the metaphysical vibration and positive energy that nature gives me, through art. The creative act transcends me as an individual.

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Do you ever wear them to show them off? They look like they would make great conversation starters.   

Yes I really like to wear my pieces, they symbolize a little piece of nature and convey to me a very positive energy. It is this joy that I want to share with my clients.

My pieces are very colorful and get people’s attention. These conversations are usually initiated by my son who is four years old and is a big fan of  his mom’s work, and when he sees me wearing my pieces he makes a point of telling people that were made by me :).

Can you tell us a little bit about yourself?  

I am a mother, a women in love and an artist with a background in graphic design.

I’m a dreamer, creative, have liked to paint since I was a child, used to paint flying ponies, rainbows, gardens and houses. I always liked to represent nature in a colorful way.

I really like music, animals (I have two lovely female dogs), love to cook and create different recipes. I like a lot of children’s illustration and romantic stories with happy endings.

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How did you get to where you are today, what inspires you to create and to be an Etsy shop owner?

I have always felt the need to create, but was afraid to assume myself as an artist completely, but thanks to the support of my dear husband, I gained the courage to devote myself entirely to art. I find the Etsy concept fascinating , and I love belonging to this effervescent community where creative people support and motivate each other. I think this concept of sharing extremely inspiring! So for me having a store there makes sense.

How is life in Portugal?

We have plenty of sunshine, many beautiful places to behold and shoot and lots of time during the year to enjoy these same locations. We have vast knowledge and very interesting traditions . We have many extremely creative young artists, for which the current financial crisis has been very hard.

For me, human creativity is a global phenomenon, and the internet an open window to the world and that is the way I chose to guide my work.

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Do you have any future plans for your artwork and your shop?

My goal is to continue to create and feel happy and privileged for it. I like the idea of creating my pieces and seeing them take their course for their future owners, not only because economic necessity is intrinsic to any store (after all the artists have to eat too) but mainly for the joy I have in creating pieces that also make other people happy. 
In the short term I am planning to create my own blog, a space where I will share my love for creativity.  

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