Artist Interview with Anne Corr from Modestly

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“The conscious mind hungers for success and prestige. The unconscious mind hungers for those moments of transcendence, when the skull line disappears and we are lost in a challenge or a task —when a craftsman feels lost in his craft, when a naturalist feels at one with nature, when a believer feels at one with God’s love. That is what the unconscious mind hungers for. And many of us feel it in love when lovers feel fused.”

~David Brooks

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It is my pleasure to introduce Anne Corr from the Modestly Etsy shop. Her artist book inspired by Joseph Cornell inspired me to then interview her for the blog. Please make sure to give her shop some love!

Can you tell me a little bit about your work making artist books and where you draw your inspiration? When did you learn how to make artist books?

The quest of living our lives well is the inevitable journey each individual must take. It is the perpetual drive to retain the mystery and magic in a world that is sometimes inhumane, hostile. Sometimes life becomes almost unbearable in the moment. I have struggled to maintain my equilibrium in different phases of mine – my early twenties working in a pressurized commercial environment, my early thirties becoming a parent, my early forties learning to live with the loss of a marriage and forging a new future.

Since I was a child I have had a curiosity about how to live well. To me this is the question that philosophy tries to answer. And philosophers are interesting, but so are poets and gurus, and business leaders. Curiosity is the spring board to doing something, whatever it may be, it is about the opportunity to dig deeper, to investigate. The process of making my books chose me really. I have loved mining the minds of past thinkers – and current ones too – I think in an attempt to understand more about how to be human. That seems strange, since being human should surely be the most natural of processes. I don’t find that, I find it discombobulating, I look at behavior to learn from it. I know now I am not alone in that feeling of alienation from my own species, and writers and artists taught me that. I learnt from my early life that being a career girl disassociated me from what is most important to me. So I stopped.

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A special friend who shared a lot of life with me when we were young parents once handed me a present of a handmade blank folded book. That started me off. I looked at this little piece of created loveliness, and wanted to fill it with something beautiful. I have it still – and it is still blank – I haven’t yet found its story. But it projected me into a new arena of creating, my book making journey had begun. All trial and error – I love to learn by doing, so I just made lots of books. Then family asked me to make them and I considered selling them. I had sold cards at craft fairs, but felt the books would get over handled – so I opened a shop with Etsy, and was thrilled when I made a sale! Then I found more encouragement when I went to a local Etsy meeting, and discovered teams, which opened up the Etsy platform. I find many of my customers are from the U.S.A and that amazes me.

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One of my greatest pleasures in life is creating. To find yourself living that flow of easy ‘being’ when the mind and the body are occupied has to be the up there with the best things. I don’t care who you are, or what you have – this is the experience that tops status, recognition, fan appeal. It is really playing – and we in the Western hemisphere have somehow forgotten that play is how we began, and how children learn best. Learn to play, and you learn how to live well. Creating anything, from a cupcake to a spreadsheet, from a poem to an engine, is about that engagement of you with something else. And alchemy happens.

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Every time I send something out into the world because a customer has ordered it, I get a frisson of excitement. Will they love it? Often I am lucky enough to get amazing comments and always feel incredibly grateful that someone has bothered to do that. I create in a very humble and small way – but it means something.

Can you give me some background information on the Cornell Book and what the creative process was like? What kinds of materials and processes did you use?

Joseph Cornell, the New Yorker, was a genius at bringing together ephemera, and producing assemblage art in a time when the genre wasn’t really considered art. A collector extraordinaire, inspired by the surrealists and dedicated to the care of his brother whom he cared for and who sadly died early from his condition of cerebral palsy, this gentleman produced items that inspired a new generation of artists and writers, and well, just people. His work inhabits the hinterland between the reality we live in, and the dreams we have, the inner realities that can sustain and sometimes seem more meaningful than the exterior lives we lead. And that is why I love him. And that love propelled me to produce my own small tribute to him. A mixture of images from some of his work mixed with my own journeys into unreality.

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Are you working on anything new and exciting in the near future?

Am I working on something new – always!! Work is what propels me, but much of it is done in the background of my life. I continue to read, consume new information and to look. Staying curious is how I work and sometimes there are periods when all the productivity is hidden – nothing to show. I know that is just a period of gestation. I don’t consciously pick my subjects, they arrive. Questions arise in my mind and I research, or a customer asks me to produce a book on a subject I have given no consideration to – that’s how my book celebrating dogs came about. I have always loved sharing my life with my dogs, and it came very easily to me! Virginia Woolf was a subject given to me by a customer – she had wanted the Bloomsbury set but Virginia was louder than them! She arrived in my head and wouldn’t leave for quite some time.

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I don’t make myself create a book from a subject, unless I am working to create an order. It is a sort of sideline to my more structured daily routine of illustration, where I try to make something of a contribution to living costs! I try to create something everyday for uploading onto my sites where I sell printed on demand product ranges – its practice, and some are more successful than others, my books are my indulgence really. I suppose like knitting for relaxation, they bring me to a different part of me, where I dream a little. I like the physicality of making something that has form – so much of my day is spent digitally on the p.c. I really wish I could enjoy the world of the kitchen, allowing my creativity to blossom there, but unfortunately for me and la famille, I tolerate cooking. Just. I love the part when I get to make the covers – each book is different, and I like playing with different materials, reclaimed mostly because I love the history of objects. I even like the packaging of my books, and I often finish the order by making it a slipcase, simply because I want to go on with the creation of something wonderful to open. Like treasure. I like adding beads, or textiles.

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I am very interested in the past and one of my gestating projects is to produce a ‘girdle book’ , in the manner of a small book of thoughts, daily motivations worn hanging from the waist on a cord. I want to do a sort of modern day version of that.

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Handmade Eco-Friendly Brooches from Dariakash

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Good morning everyone! Today’s artist interview is between myself and Dariaka from the Etsy shop DariakashDariaka’s shop is based in Prague, Czech Republic, and she loves to create fun, eco-friendly brooches from recycled material.

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How did you become inspired to make your mixed media and paper mache brooches?

All my life I’ve always loved to sew, glue, cut, and invent new things. I always liked to embody my ideas in something created by my hands. As a child I sewed clothes for dolls, and invented houses and furniture for them. Then I began to sew for myself, to alter my mother’s old clothes or stuff I bought from a second hand shop. I loved to make original accessories for myself – earrings, necklaces, rings, but most of all I loved to make brooches. My friends wondered why I would make such interesting things for myself and not sell them, but I did not even think it was possible. I had another profession at the time – I was a sound engineer and always had a lot of work, and never time for anything else.

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Despite lack of time,  I always dreamed that my accessories would be worn by other people. Finally one day I met someone in the street that wanted one of my brooches. I clearly realized that I must change my life and do what I wanted to realize my dreams. It was then that I went to another country, began to paint, changed my profession (now I study film animation) and began to make brooches.

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Why mixed media? Because I have always loved trifles – beads, buttons, badges, pieces of fabric … As a child I brought whole pockets, wrappers, pins, stones, most of which I found on the street. Now I am always out at flea markets. I’ve got the idea to connect all these little things in my brooches. A perfect base for me is paper mache, because it seems to me alive, in contrast with plastic. At the same time this technique is very affordable if you compare it with something like ceramics, which requires a roasting oven.

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What kinds of materials inspire you the most? What kinds of materials inspire you the most?

I am most inspired by paper and paper mache, which gives me a kind of artistic freedom that I love. I can make beauty from nothing – there is always an empty egg box, from which I make sculpting bases for brooches- there are always old newspapers or magazines, with which I can paint on or make collages on brooches with.

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What kind of process do you go through in order to create one of your brooches?

For me it’s important to just sit down at the table and start working. To begin to sculpt, to spread out all the scraps I have, to put all the beads in front of me, to open magazines, to start to cut eyes, boots, hands – and then the ideas come – all the pieces begin to connect. Even when I have a concrete idea and I clearly imagine the brooch I want to make, thought the process it always becomes something else because suddenly I see a button that I like, or paints will mix to another color, and then I’ll choose another fabric, and decide that the bird will not have jeans but a shirt.
I do not believe in waiting for inspiration, to me it never came just spontaneously. I am confident that I must work and always look for inspiration, and then only through the process are my ideas born.

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Can you talk a little bit about the eco-friendly aspect of your brooches?

Once long ago I watched a documentary about how our planet is already overcrowded by garbage, which influenced me very much. After that I did not hurry to throw out old stuff. If I did not like my jeans anymore, I would alter them into a skirt – if a chair was broken, I would made a shelf from it. So it is with my brooches – I just don’t throw out the old buttons and beads, magazines and newspapers, the remains of fabric after reworking a dress. With these materials I make a completely new and different thing that brings me joy – a new brooch.

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I also try not use any chemical additives when working. Paper pulp, from which I make the basis for my brooches, consists of egg boxes, wheat flour, potato starch and water – that is all! I also use a non-toxic glue and paint. I had the idea to combine the stained glass technique with paper mache, but because of the presence of lead in solder and toxicity of pastes for soldering I abandoned the idea.
Of course what I do is but a drop in the ocean, but I believe that every little bit helps.

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Make sure to visit Dariakash on Etsy and follow her below!

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