Meet Marleen Kleiberg: Painter from The Netherlands

I’m happy to introduce Marleen Kleiberg from the Marleen Art Etsy shop! You can follow her on Etsy, Instagram, and Facebook to stay updated on her work.

Can you tell me a little bit about yourself and your journey with art? 

I live in a village in The Netherlands with my husband and 5 kids.
A long as I can remember I’ve loved doing creative things like cross stitching, sewing, drawing and painting. After high school I started my career as a nurse in the hospital, but I didn’t stop being creative.
When I had more kids I began to work less and started seriously as an artist.

Can you tell me a little bit about where you gain inspiration? 

I have learned a lot from books and by visiting exhibitions.
I have tried to make progress by making small artworks. I had of many of them and when I heard about Etsy I immediately started a shop. That’s perfect for a mum I thought! My larger paintings are for sale on Saatchi Art. I am still surprised that I sell so much there. Every sale makes me happy.

I find inspiration in and around my home. I love to be in my garden and the forest near my house.  I like to paint kids with watercolor or larger in oil on canvas. Inspiration comes also from the internet, like Instagram or Pinterest. There are so many beautiful photos.

In every painting I try to give it a glance. I think that’s in every painting I make. I do that with a dark/light contrast but most with a color contrast. I never ever use pure black or brown in my paintings, I mix them with primary colors.

My studio is in the basement of our house. It’s a nice space to work.

Are you working on any new and exciting projects, or have any outstanding artistic or business goals for the near future? 

I have done small canvases for a long time. But now I make large botanical paintings and I am busy with a beach series. It’s good to change sometimes to improve yourself and to find new techniques to use.


I am also making a website, which is not my favorite thing to do, but my goal is to go online on 1 September.

__________________________________________________________________________

Follow The Art Spectrum by email for more artist interviews!

Recommended Reading

Etsy Excellence: The Simple Guide to Creating a Thriving Etsy Business

Please follow and like us:
0

Past Your Porch Light: The Soft Sculptures of Etsy Artist Jessie Cunningham

Past Your Porch Light: The Soft Sculptures of Etsy Artist Jessie Cunningham

It is my pleasure to introduce Etsy artist Jessie Cunningham from Ontario, Canada! Jessie’s shop, Past Your Porch Light, is a charming place where “grizzlies wander and owls take wing.” We both hope you enjoy this artist interview and can give Jessie’s shop a look-see!

Each creature you sculpt seems to come from a dreamland! Where do you get the ideas for your soft sculpted creatures?

That kind of dreamy quality is something I really value, in art and in life, and I’m so pleased that it comes across. For the most part my inspiration comes from where you’d expect, nature and wildlife. I grew up in Canada with access to the woods behind our house and as a child I’d climb trees for hours exploring that world. I had notions of being a professional animal watcher or leaving home to make friends with orcas off the coast of British Columbia, and while I grew out of those somewhat unrealistic ideas (mostly) I’ve never lost my fascination with the animal kingdom. There’s a magical quality to those sort of unconquered areas of life that I can daydream about for hours, personalities or stories I can imagine creatures having, and more and more that’s where my creations find their beginning.

Past Your Porch Light: The Soft Sculptures of Etsy Artist Jessie Cunningham

That dreamland and the details in our own natural world play the biggest parts – I can obsess over conveying the weight in a grizzly bears footstep, or capturing the posture of a badger pausing to listen to its surroundings before moving on. Other times even a song or scene in a film can spark an idea.

Past Your Porch Light: The Soft Sculptures of Etsy Artist Jessie Cunningham

Why did you decide to use this soft sculpting medium for these creatures and not another medium? How long does it take you to make one of your soft sculptures?

It’s been a slow process of discovery but the love and obsession was immediate once found. I’ve tried many kinds of art since I was young, I knew I wanted to create but not always what or how.  When I first dabbled with fabric I worked with faux fur- it’s great stuff but messy and can be difficult to maneuver, which is ultimately why I discovered felt as a medium.

Past Your Porch Light: The Soft Sculptures of Etsy Artist Jessie Cunningham

Past Your Porch Light: The Soft Sculptures of Etsy Artist Jessie Cunningham

Wool felt sort of happened to me when I was dealing with some health issues that restricted me from using more labor intensive materials, it was something I could easily pile next to me on the couch on a bad day and sew by hand. During that time I watched a lot of nature documentaries, and one day was struck by the image of a polar bear. Their silhouette and posture is so distinctive, almost otherworldly, and I knew I wanted to somehow capture that, and the feeling it gave me, and make it into something tangible. That iconic shape became the focal point of that first soft sculpture project, and those are things I pay close attention to on every new undertaking. While I still integrate previous mediums into new works, wool felt has really taken root with me. It may change, it will definitely evolve, but for now I’m really enjoying finding those shapes and feelings in felt.

Past Your Porch Light: The Soft Sculptures of Etsy Artist Jessie Cunningham

How did business on Etsy start and how has your experience been so far?

I found Etsy more out of necessity than because I had a plan. I posted something I’d made on another website and to my shock it became popular very quickly, people would message asking how to purchase and I needed to scramble to figure that out. The business aspect is the area I’ve struggled with the most – I didn’t go into this established as an artist, or even as the person I was going to be, it’s been something I’ve grown alongside of (sometimes clumsily, I changed my brand name a few times.)

Past Your Porch Light: The Soft Sculptures of Etsy Artist Jessie Cunningham

I think a lot of artists get into this “JUST CREATE” mindset and maybe don’t put the effort they may have to into getting the art seen. For a long, long time that was a huge issue for me, but Etsy has taught me a lot. There’s a really resourceful community there rich with advice and opportunity, but I also think promoting off the website is very important too. Instagram has been my biggest help in that arena.

Past Your Porch Light: The Soft Sculptures of Etsy Artist Jessie Cunningham

Do you have any future plans for your business and do you plan on adding any new creature designs to the shop?

At any given time I have about 6 new creature designs in a prototype stage, with dozens more on paper and loping around my mind. As for future plans, they range from developing a better understanding of color combinations and design to something as ambitious as having a studio space. I’m still very much in my beginning stages so I’m mostly happy to continue to learn- but I also have some very cool collaborations coming up as well that I’m pretty excited about.

Past Your Porch Light: The Soft Sculptures of Etsy Artist Jessie Cunningham

Past Your Porch Light: The Soft Sculptures of Etsy Artist Jessie Cunningham

Jessie also sells enamel pins in her shop along with her soft sculptures:

Past Your Porch Light: The Soft Sculptures of Etsy Artist Jessie Cunningham

Past Your Porch Light: The Soft Sculptures of Etsy Artist Jessie Cunningham

Follow The Art Spectrum for more interview like this!

__________________________________________________________________________

Recommended Reading

Etsy Excellence: The Simple Guide to Creating a Thriving Etsy Business


Please follow and like us:
0

Artist Interview With Nessa Ryan

It is my pleasure to introduce the wonderful Nessa Ryan from Tel Aviv, Israel ~ visit her Etsy shop at nessaryandesign.etsy.com.

Can you tell me a little bit about yourself, your shop, and your creative process (materials, thought process, etc)?

“I studied fine art and specifically sculpture in Ireland and also Rotterdam. After graduating I moved to New York and started to paint. I worked as an interior decorator and muralist and had my own art studio. I exhibited and performed with my band in many venues and galleries. I had a child and moved to Tel Aviv, where I started primarily to illustrate. I currently work as a children’s book illustrator and exhibit my illustrations. I work with paper, paint, ink, pen, markers..anything really. If I work on a book it is a collaboration, a dance of sorts, where sometimes the image takes the lead and at other times the text does. When I work on my own illustrations, my inspiration comes from everywhere..movies, poetry, books, memories etc. I love the meditation and process of creating an image , the excitement of colour and mystery of line. It is a wonderful world to be apart of. I joined Etsy to get a larger audience and try my hand at attempting to run a small business, I am afraid I am not a very business minded person, and have little time for marketing and promoting my shop, but every now and then I make contact with someone through the store and I find that valuable enough to keep my shop open.”

Where does your inspiration come from for the content of your work? Can you tell me a little bit about how your content and style work together?

“As I mentioned above, my inspiration comes from everywhere, I collect images in my head from just being awake ( and actually dreams are a pretty good source of inspiration, too). I do not like to take photos , so I suppose I consciously memorize something and know that it will appear if needed when I work. Most things evoke some sort of emotive response, and if not then an intellectual one. It is interesting to play with this and see where the idea decides to land.”

Is there any significance behind the oval shape that you use as a kind of frame for your illustrations?

“I wanted a free floating image, I think it seems less restrictive – it’s like an atom or a cell..it has its own energy/story in an infinite space (the page being the infinite space). The confines of the page size are irrelevant , as the page just becomes part of everything else around it. However, I am not loyal to any format, so things can change.”

Are you currently working on any new art projects?

“I am have almost finished my latest book, I am very excited about it, it was a collaboration between my friend and I. It is a Hebrew alphabet book, each letter is given a poem or a story, the writing is fantastic, it is philosophical, funny and sentimental, both kids and parents will enjoy the read. I found illustrating it to be a joy, as the text was so inspiring and free – children’s books can be so ‘safe’ this days and lack a juicy text, so it is rare to have this much fun illustrating.”

What is life like as an artist in Israel?

“I think it is the same as anywhere else. Life as an artist is intellectually and emotionally stimulating and financially devastating. If you are inferring that because of the occupation and violence here, then it maybe different, and it depends where you live.  I live in Tel Aviv and I am Irish, so I can focus on raising my child and work.  If I were a Palestinian living in Gaza or the West Bank, I would still be trying to raise my child and work, but on top of that I would have to deal with the ongoing brutal occupation. It is, for sure, a very uneven and unfair reality here.”

Nessa Ryan’s Etsy shop: nessaryandesign.etsy.com

 

Please follow and like us:
0

Sara Schalliol-Hodge : Designer & Maker of Things

mountains

Welcome back! Our latest feature spotlights artist Sara Schalliol-Hodge from Lakewood, Colorado! Sara is “a designer by day and a printmaker, sawdust producer, and stuff-maker by night.” Read on to get to know Sara a little better, and CLICK HERE to go to her website, and HERE to go to her Etsy shop!

sara

What about the printmaking process do you love the most, and more specifically, why linocuts? 

I love printmaking because I love the ability to make multiples of my art. With so many forms of fine art, you can spend many, many hours creating the finished product, only to sell it just once and never see it again. And, often art can take so many hours to create that it can be very difficult to be able to charge a decent wage for all of the time you spent on it. All of that being said, buying a computer-printed art print doesn’t really appeal to me because it seems so far from being made by hand. With printmaking, each print is still made by hand and there are subtle variations in each print, so there is definitely evidence of the maker. It is hard work printing a woodcut or linocut all my hand, and I like to think that that energy can be somehow felt when viewing these prints. For me, printmaking seems to fit into a sweet spot of being affordable but still very handmade.

mountains2

Many of your designs juxtapose the themes of nature and industry. Where do you get the inspirations for your designs and what about this juxtaposition interests you? 

Nature vs. industry, or nature vs. man are themes I explored even in the art I created very early in my life. There is something so poetic about vines growing up and taking over an old car or building. I studied Industrial Design in college, and Industrial Design tends to involve mass-production, and therefore factories. It can be really strange to think about each thing you own and imagine the factory that produced it. This type of thought process made me think about how natural things are made, which is not quite in a factory…. but what if you think of nature itself as a factory? So this lead me to prints like Factory Whale, Love Factory, Salmon Factories, etc.

whale

cact

Also many of my prints display animals and “the hand of man” in one way or another. Like, quite literally in my print Spark:

spark

But I also like to create prints that show animals having to survive in the world that man has modified, like City Lynx:

lynx

How has business been on Etsy and do you have any advice for blooming Etsian printmakers? 

I was a very early Etsy seller and buyer and it has been interesting seeing Etsy become a website that non-artist-type people have actually heard of and shop from. My Etsy shop has changed a lot since the beginning. I used to sell wooden sculptures, jewelry displays, and chunky wooden jewelery, and now I sell only my printmaking. I have had several great opportunities come along because of my Etsy shop. Half of the brick and mortar galleries I sell at approached me from discovering my shop on Etsy, which is awesome! These days, my sales come mostly from brick and mortar galleries, and not Etsy. For me personally, sometimes it can be hard to sift through all of the shops on Etsy to find that special thing I’m looking for, but walking into a well-curated local shop usually lightens my wallet pretty easily.

sarah1

Please follow and like us:
0

From New Zealand to Isreal: An Interview With Artist Emily Penso

emily1

I am honored to introduce the wonderful artist Emily Penso, who has a quite interesting life story! Emily sells her surreal and whimsical artwork in her Etsy shop, Studio Lavaan, and excitedly agreed to be interviewed on the blog!

  • Can you just tell me a little about yourself; where did you grow up, go to school, what are you up to now?

I was lucky enough to grow up in New Zealand, in the South Island city of Dunedin. It was a wonderful place to grow up and although it’s quite a cold part of the world, most of my childhood memories involve sunshine and bare feet.

I am the middle of three children, with two wonderfully loving and supportive parents  who shaped our world with a comfortable home, a love of the outdoors and an appreciation of the arts – I remember many a boring gallery trip! But although at the time I would have preferred to be playing with Barbie or some other weird toy, there was always at least one art work that would completely mesmerize me.  

 During my high school years (sweet 16) my Dad landed a job in Canberra, Australia. So my small world got bigger and we moved across the Tasman. It was a tough move for me, but character building, and definitely helped guide me into pursuing art.  I ended up studying painting at the Canberra School of Art which was just awesome and completely changed my life.  
emily2

Now, curiously, I find myself living in Israel (which is another epic tale, but involves meeting a beautiful Israeli in India and marrying him in Cyprus). We live in a lovely village on a hill with our two completely gorgeous boys, and a white cat and a black dog. We have a small olive grove which we use for making oil, a small studio which I use for making art, and lots of little vegetable gardens. It suits us well. 

emily3

  • Your work is so surreal and whimsical, where did the inspiration for these types of works come from? Is there anything else that inspires you, just in general?

I guess my mind has always been a bit of a peculiar place, and for as long as I can remember I have been fascinated by things that are out of the ordinary. My earliest surrealist influence almost certainly came from Rene Magritte.  My parents had a book on Magritte and throughout my childhood I loved pawing through the pages. It was entertainment that never got old, no matter how old I got, and every time I looked I would discover something new.

stork

Another big influence would be dreams. I am a serious dreamer – day dreams and night dreams – but I am particularly inspired by night dreams as they are totally wild, complete raw sub-consciousness, and always purely surreal.  

The world around me is also a major source of inspiration; Birds, insects, trees, people, land forms, and the interactions between everything that exists – I am constantly in awe of this world we live in. It never gets boring! It is a mysterious moving masterpiece that I love being a part of. This spiritual connection that I have with life is also a bit of an influence. It is much easier for me to articulate what it is that I feel spiritually through drawing than words.

treecloud

  •  A lot of your work looks like it has been sparked by unique ideas. What have been some your favorite ideas to explore with your art?  

  “You know, most of the time my work starts as a visual idea rather than a concept that I want to communicate (consciously anyway) but always through the process of making the work I begin to understand the symbolism of what I am drawing and mostly it’s personal feelings, thoughts, experiences. I approach my work with intuition, but execute it in a very precise way! Some of my favorite visual themes have been playing with scale relationships between figures, mirroring birds, and using clouds as a very deliberate compositional device (with meaning!)

Clouds have been popping up a lot lately and they are beginning to take the centre stage. I love clouds.

  •  Do you have any advice to artists or future artists on how to promote their work or how to approach getting their work out there? Advice in general?
 I think not being afraid of self-promotion is something that many artists need to overcome, and is definitely something that I have struggled with, and still struggle with to a degree. I guess I would advise emerging artists to think about what it is they want out of their art practice and use that goal to guide them in how they promote their work.
 emily2
In general, to get your work out there… approach galleries, apply for exhibitions, get help with submitting great proposals if necessary, collaborate with other artists, get involved in open group shows, exhibit as often as you can, enter art competitions, get the social media happening, create a website, open an Etsy store, take all the steps that you think are important for you as an artist. And of course…don’t let knock backs get you down, because they will happen, and great things will also happen!
  • Do you do anything fun/interesting in your free time? Any favorite hobbies or weekend activities?  

Wow, free time is something that is completely foreign to me! My little boys keep me very busy! But, I do manage to squeeze in a little bit of yoga and any chance I get I am in the garden.  In my down time I have been known to play ‘words with friends’ on my phone ( I’m mildly addicted). If I had more free time I would love to make pebble mosaic stepping stones, sew stuff ,and I’d also restore all the shabby vintage furniture that I have collected.

When my boys are all grown up I would like to do my masters, it’s a nice dream, and I’d love to learn more skills, like basket weaving and everything to do with textiles.

emily4

You can also find Emily on her Facebook Fanpage: Emily Penso Fanpage 

And her website: emilypenso.com

Please follow and like us:
0

An Interview With Ines Rocio: Etsy Artist

ines1

This interview is between myself and Ines Rocio from the inesrocio Etsy shop. She is a visual artist living in Portugal and her work is beautiful! Make sure to show her shop some love!  

Your wearable art has vivid colors and each piece is stunningly beautiful in a very natural kind of way. What inspired you to create these pieces and what process do you go through to make them?  

First of all thank you for the invitation and for your kind words about my art work.

Nature is my great source of inspiration, I am fascinated by the vividness of colors, organic, natural architecture, overlapping tones, rhythms and energy.

The creative process begins by being in contact with the natural elements, like strolling through the park or the beach, as a botanist, collect small natural treasures, with which at the Atelier, I give life and energy to natural wearable art pieces. In the jewelry making, I use these elements as a template for the sculptural process, because I like the pace, energy and organic-ness that they give.

The watercolor is undoubtedly the artistic medium with which I identify most, because as my painting is very spontaneous, allows for endless diversity of hues, besides it is a clean paint technique  and more environmentally friendly. Really like to use metallic pigments, especially the gold because in my opinion it adds richness and luminosity to the paintings.

My painting is mostly intuitive, and I like to explore the various dimensions of pigments freeform, almost always with the purpose of transposing the metaphysical vibration and positive energy that nature gives me, through art. The creative act transcends me as an individual.

ines2

ines3

Do you ever wear them to show them off? They look like they would make great conversation starters.   

Yes I really like to wear my pieces, they symbolize a little piece of nature and convey to me a very positive energy. It is this joy that I want to share with my clients.

My pieces are very colorful and get people’s attention. These conversations are usually initiated by my son who is four years old and is a big fan of  his mom’s work, and when he sees me wearing my pieces he makes a point of telling people that were made by me :).

Can you tell us a little bit about yourself?  

I am a mother, a women in love and an artist with a background in graphic design.

I’m a dreamer, creative, have liked to paint since I was a child, used to paint flying ponies, rainbows, gardens and houses. I always liked to represent nature in a colorful way.

I really like music, animals (I have two lovely female dogs), love to cook and create different recipes. I like a lot of children’s illustration and romantic stories with happy endings.

ines4

ines5

How did you get to where you are today, what inspires you to create and to be an Etsy shop owner?

I have always felt the need to create, but was afraid to assume myself as an artist completely, but thanks to the support of my dear husband, I gained the courage to devote myself entirely to art. I find the Etsy concept fascinating , and I love belonging to this effervescent community where creative people support and motivate each other. I think this concept of sharing extremely inspiring! So for me having a store there makes sense.

How is life in Portugal?

We have plenty of sunshine, many beautiful places to behold and shoot and lots of time during the year to enjoy these same locations. We have vast knowledge and very interesting traditions . We have many extremely creative young artists, for which the current financial crisis has been very hard.

For me, human creativity is a global phenomenon, and the internet an open window to the world and that is the way I chose to guide my work.

 ines6

Do you have any future plans for your artwork and your shop?

My goal is to continue to create and feel happy and privileged for it. I like the idea of creating my pieces and seeing them take their course for their future owners, not only because economic necessity is intrinsic to any store (after all the artists have to eat too) but mainly for the joy I have in creating pieces that also make other people happy. 
In the short term I am planning to create my own blog, a space where I will share my love for creativity.  

ines7

ines8

Please follow and like us:
0

An Interview With Writer and Illustrator Kevin King

kevin

 

Can you give me a short background of yourself? 

I don’t want to make myself out to be a special of any sort, but as far as I know, I am the only baby to have been delivered by a Pekin duck at the OB/GYN. It’s a rather remarkable story, considering hospital policies preventing animals from being in hospitals. But this duck was very career minded and a real go-getter.

I distinctly remember my first thought when I was born- “I’m not getting a job.” And I decided at that moment to become an illustrator. But becoming an illustrator right off the bat is not without obstacles; mainly the drooling and the diaper thing for the first few years. I have since overcome the drooling- it’s a problem that can easily be licked.

My childhood was quite unremarkable- I invented the color “Sleem”, which is mostly beige with cat hair. I wore plaid pants and shirts throughout the entire 5thGrade, (and was not beat up). In art class I spilled paint down the back of the pants of a fat girl with a yellow tooth, (and got beat up). And as that I am on the subject of art classes, I was quite fortunate to have a mother that was an extraordinarily talented artist. What she could not teach me, she provided private tutors, Art professors, to school me in the classical arts. Some music virtuosos are sitting at the piano bench at five tinkling out Chopin on the ivories, I was sketching still lifes of bowls of fruit. And by Providence and the talent I honed, I became an editorial cartoonist for a local newspaper when I was fourteen. This opportunity defined and shaped my future.

The next many, many years I did nothing but dedicate myself to dutifully cartooning and illustrating for panoplies of newspapers and advertising agencies. (Of course, I had bathroom breaks during that time.) One of the most important skills you learn in the newspaper and ad agency business is- meeting deadlines! Another, and if not more important skill you learn as a cartoonist is to be able to tell a joke, impart a political comment or tell a story in a single panel that can be understood by the 100,000 or more people a day who will see it.

Eventually, I became rather worn out from the industry and went on a long sabbatical. Somehow, through an odd chance meeting, I found myself in a very niche field of creating art to be sandblasted on glass that was installed in mega-yachts. After some time I grew tired, or bored of that, and decided to begin illustrating- for me; which is where I am at nowadays.

How would you describe your artwork? 

I see myself as an illustrator. And as an illustrator, I tell stories. To describe what I produce is probably best defined as a perfectionist exercise in line and negative space with bits of watercolour.

kevin2

Your work is so fantastical and full of narrative, every single piece I look at makes me want to know the story behind it. Where do your ideas and inspirations come from?  

Hypnagogia is certainly the wellspring of many of the images and characters, I am overwhelmed, deluged I reckon, with imageries and creatures that seek to be birthed by my pen the next morning. Many of the ideas are born through doodling. And as they emerge onto the parchment I begin to know their disposition and story and I am deeply compelled to tell their history. No doubt I too was deeply influenced from rich the illustrations and engravings from the scores of old children’s books I profusely read as a youth.

kevin3

Do you have any advice for aspiring illustrators or artists? 

My advice is very simple- stay away from puerile social commentary. I see so many young artists, (and too many older artists), that want to give an opinion on the “World Condition”. The only condition you should have any concern about is hair conditioner. Avoid drawing celebrities…there is only so many ways you can illustrate Marilyn Monroe or P-Diddy. And somebody has already drawn them better than you. But first, you must really know what it is you want to do with your art…your purpose behind the pen or paintbrush.

kevin5

Are you working on any upcoming projects?

I am working on a manuscript, a children’s fairy tale of sorts, which I am in long process of writing and illustrating. It has taken me a while to remember…but my “purpose behind the pen and paintbrush” is to write and illustrate my own works.

You can find Kevin hanging out at his Facebook page and his BlueCanvas portfolio.

Please follow and like us:
0
css.php