Delphine Leviste: Collage & Diorama Artist from Amboise, France

 

It is my pleasure to introduce Delphine Leviste from Amboise, France – collage & diorama artist from the Atan Mouala Etsy shop. The following interview contains both English and French translations.

Can you tell me a little bit about yourself and your journey with art? Pouvez-vous me parler de vous-même et de votre voyage avec l’art?  

As far as I can remember, I always drew. While I was a child I was rather reserved and shy, and this was my way to light. I remember that on each of the doors of my elementary school, the teacher had hung one of my “works”. Childhood is golden…something to continue to cherish  and especially not to forget for the rest of your life. No doubt this is why I naturally became a teacher. I work and attempt to convey my passion every day to youth 10-15 years old. Each of my activities feed each other, being an artist at home and a teacher
the rest of the time.

D’aussi loin que je puisse me souvenir, j’ai toujours dessiné. Alors que j’étais une enfant plutôt réservé et timide, c’était ma façon à moi de me mettre en lumière. Je me souviens que sur chacune des portes de classe de mon école primaire, les maîtresse avaient accroché une de mes “œuvres”. Pour moi, l’enfance représente l’age d’or…celui qu’il faut continuer à porter et surtout à ne pas oublier tout le reste de sa vie. Sans doute est ce pour cela que tout naturellement je suis devenue enseignante. Je travaille et essaie de transmettre chaque jours ma passion à des jeunes entre 10 et 15 ans. Chacune de mes activité nourrissant l’autre, plasticienne à la maison, enseignante le reste du temps.


Where do you get inspiration for your art, in particular your art boxes? Où obtenez-vous de l’inspiration pour votre art, en particulier les boîtes d’art?  

I arrived at drawing through observation of by studying the natural world. My sources of inspiration are often from nature and cabinets of curiosities. I’m constantly producing work on large format canvases…this was a challenge for me being a small woman! And then when I became a mother, we had to find another way to work for lack of time and space! As I tired of pencil drawing, I began to create dioramas, which allowed me to go smoothly to creating a larger volume of work. I currently have a collection of 100 small boxes (but I’ll probably not stop here!). I found the idea of a new diorama from my collections of “little things” that accumulate at the bottom of my drawers, and I’ve noticed that the link with childhood is more present in the latest boxes I’ve created. My starting point can also be an old photograph. In that case I then feel very invested in giving new life to the forgotten faces in the photo.

Je pense être arrivée au dessin à travers le dessin d’observation de mes leçons de sciences naturelles. Aussi mes sources d’inspiration ne sont jamais très éloignées de la nature et des cabinets de curiosités.
Pendant longtemps j’ai produis des toiles de grand format…c’était comme un challenge pour moi qui suis une toute petite bonne femme! Et puis lorsque je suis devenue mère, il m’a fallu trouver une autre façon de travailler afin de composer avec le manque de temps et de place aussi! De coup de crayon en coup de crayon, j’en suis venue à créer des dioramas, ce qui m’a permis de passer en douceur à la mise en volume. Je me suis fixée comme objectif de constituer une collection de 100 petites boîtes (mais je m’arrêterai sans doute pas là!). Je trouve l’idée d’un nouveau diorama dans mes collections de “petits riens” de “pas grand chose” que j’accumule au fond de mes tiroirs…je remarque que le lien avec l’enfance est de plus en plus présent dans mes dernières boîtes. Mon point de départ peut être une photographie ancienne. Je me sens alors comme investit de la mission de donner une nouvelle vie à ses visages oubliés.


How is life in Amboise, France? Do you enjoy selling on Etsy? Comment se passe la vie à Amboise, en France. Aimes-tu vendre sur Etsy? 

I just moved to Amboise this summer, which is in the center of the France: this is a big change in life for me my husband and two kids! (before we lived just north of the France). Amboise is a beautiful city that is part of a UNESCO World Heritage cultural landscape. It is also the city of François 1st and Leonardo (his tomb is here in the castle of Amboise). This life change has slowed down my artistic activities in recent months, but I have just finished installing my new studio – photos on my blog – and I cannot wait to get back to it.

Etsy was a revelation for me. I can create without stress and at my own pace,and I have fun seeing my dioramas go to the four corners of the world. It is a possibility that I would have never been if forced to use the classic exposure systems. It was also an opportunity for me to gain regular clients. I also spend a lot of time browsing on there (and sometimes buying). I’ve found so many varied, inspiring and high quality creations.

Je viens d’emménager à Amboise, au centre de la France, cet été: C’est un grand changement de vie pour moi mon mari et mes deux enfants! (avant nous habitions tout au nord de la France). Amboise est une magnifique ville, classée au patrimoine mondial à l’Unesco.C’est aussi la ville de François 1er et de Léonard de Vinci (son tombeau est ici, dans l’enceinte du chateau d’Amboise). Du coup ce changement de vie à quelque peu ralenti mes activités artistiques ces derniers mois, mais je viens tout juste de finir d’installer mon nouvel atelier –des photos sur mon blog– et j’ai hâte de pouvoir m’y remettre.

Etsy a été pour moi une vraie révélation. Je peux créer sans stress et à mon rythme, et ,je m’amuse de voir mes dioramas partir au quatre coin du monde. Possibilité qui m’aurait jamais été offerte si par le systèmes d’exposition plus classique.Ce fût aussi pour moi l’occasion de faire des rencontres, avec des clientes régulières. Je passe aussi beaucoup de temps à m’y promener (et parfois à acheter). Je trouve qu’il y a des créations très variées, inspirantes et de très bonne qualité.

What kind of music do you like to listen to while you create? Quel type de musique aimez-vous écouter pendant que vous créez?   

I have very eclectic taste in music. When that I create I need music that moves, often something like rock, but sometimes Bjork…the atmosphere has to be playful!

J’ai des goûts musicaux très hétéroclites.Lorsque que je créer il me faut de la musique qui bouge, souvent du Rock mais aussi parfois du Bjork..il faut que l’atmosphère soit enjouée! 

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10 Floral Artists To Follow on Instagram

I love when flowers appear in my Instagram home feed! These 10 floral artists have beautiful Instagram posts that will fill your morning with inspiration.

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Interview with Romanian Painter Ioana Iacob: Transforming Traditional Romanian Roof Tiles Into Works of Art

Interview with Romanian Painter Ioana Iacob

It is my pleasure to introduce Ioana Iacob from Bucharest, Romania who creates small paintings on local reclaimed wood roof tiles. Her Etsy shop is filled with colorful paintings that are perfect for small spaces.

Can you tell me a little bit about yourself and your journey with art? 

I have been dreaming of this all my life. Having grown up in a family where almost everybody was drawing and painting, art and colors have fascinated me since I was a little kid. Both my grandfathers painted and I loved the smell and feel of the painting studio. However, I always believed I was not good enough. Fast forward many years later, after finishing photography school and having had a few group exhibitions, I started believing in myself as an artist.

Interview with Romanian Painter Ioana Iacob: Transforming Traditional Romanian Roof Tiles Into Works of Art

As I got older, I also realized that life is too short and that we should do what we love. Painting came easy, after I discovered acrylic painting. I could not stop painting after discovering the little wooden tiles I use as support for my mini paintings. I came across them when refurbishing my parents house, in the mountains. What are they? They are actually pieces of wood used for roofing houses, the traditional way, in some areas of Romania. They are hand carved by local craftsmen and nailed like pieces of puzzles to make a perfect cover for any house.

Interview with Romanian Painter Ioana Iacob: Transforming Traditional Romanian Roof Tiles Into Works of Art

What is life like in Bucharest, Romania? Do you have any favorite spots you can recommend visitors?

Life in Bucharest is great. So is Romania. Do come to see for yourselves! I have lived in the city all my life, but rural life and Romanian traditions and country lifestyle have always attracted me. You can catch a glimpse of these by visiting Bucharest Village and Romanian Peasant Museums. There you can also see houses that have roofs tiled with small wooden tiles, like the ones I use for painting.

Where do you draw your inspiration and vibrant color schemes from? Why the use of wood?

I like living a simple life, enjoy spending time with my family. They and my friends are my main inspiration.

I also love the bright colors that bring life to the wood, make it more animated. Each small painted wooden tile can sparkle up any room.

 Interview with Romanian Painter Ioana Iacob: Transforming Traditional Romanian Roof Tiles Into Works of ArtInterview with Romanian Painter Ioana Iacob: Transforming Traditional Romanian Roof Tiles Into Works of Art

Do you have any favorite music that you like to listen to while you create?

The laughter of my three children is music to my ears and the one I listen to every time I paint. In the rare moments they are asleep, I like to listen to classical music or turn on the radio.

Interview with Romanian Painter Ioana Iacob: Transforming Traditional Romanian Roof Tiles Into Works of Art

Interview with Romanian Painter Ioana Iacob: Transforming Traditional Romanian Roof Tiles Into Works of Art

Are you working on any new and exciting projects, or have any outstanding artistic or business goals for the near future? 

Plans for the future? I have read that you become a real artist after you have painted 1000 pictures. I have yet to reach that number and call myself a true artist :). I also dream of my own studio with a garden, where I can paint under the sun.

Interview with Romanian Painter Ioana Iacob: Transforming Traditional Romanian Roof Tiles Into Works of Art

You can like and follow Ioana on Facebook to stay updated on her latest tile paintings!

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Artist Interview with Vera J. from Studio VerSie: Wall Hangings & Weavings

Wall hangings by Vera J. on Etsy

It is my pleasure to feature Vera Jonkers from the Studio VerSie Etsy shop in Delft, Netherlands who makes modern woven wall hangings! I hope you get some awesome wall decor ideas after reading this post!

Can you tell me a little bit about yourself and how you got into weaving? 

I’ve been a crafter for as long as I can remember. As a child I was always drawing, painting and making things. But it wasn’t until I got pregnant with my first child that I started gravitating towards yarn. I studied Architecture at the Technical University of Delft, but that didn’t result in a creative job. This creativity had to come out somehow, so I dabbled in a few creative hobbies, like knitting, crochet, painting and even screen printing. That’s when I discovered woven wall hangings in magazines, online and in stores, which sparked my interest towards weaving. It wasn’t until my husband coincidentally bought a loom for my daughter that I really started to pursue the idea of weaving. I started looking for tutorials online, stole my daughters loom and got started. It instantly got me addicted! I’ve been weaving almost every day for a year and half now and I love it. Finally, I have found something I am very passionate about.

Woven wall hangings by Vera J. on Etsy

Woven wall hangings by Vera J. on Etsy

What is the creative process like of creating one of your wall hangings? How long does it take to complete the entire process?

Most of the time it starts with me seeing something inspiring, like a combination of colors or an interesting pattern. This usually gives me a visual idea of something I could make. Then I will sit on it for a while to let the idea grow and take form. When I feel it’s time, I make a little sketch in my notebook and lately I even paint them. From there I start weaving. It usually takes me about a week to make the larger weavings.

Woven wall hangings by Vera J. on Etsy

Woven wall hangings by Vera J. on Etsy

How do you like to organize your studio/work space?

At the moment I have a temporary studio, but in a few months I’ll be moving and I’m so looking forward to that. I really love everything interior and I want my work space to be a happy place. I envision shelves filled with yarn, a large desk with a lot of space to weave and pack orders, a lot of light and inspiration on the walls.

Woven wall hangings by Vera J. on Etsy

Woven wall hangings by Vera J. on Etsy

Do you like to listen to music while creating? If so what artists or songs have been favorites lately?

I love listening to music. My taste is very diverse, it depends so much on my mood. Among my favourites are the soundtrack of the movie ‘Into the Wild’, the Common Linnets (Dutch) with ‘Calm After the Storm’ (you should really listen to that one!). One of my favourite songs is ‘Follow the Sun’ from Xavier Rudd. But I also love to listen to Dance music, from artists like Martin Garrix. You can find me dancing in my studio regularly!

What is life like in the Netherlands?

Besides the weather, I love living in the Netherlands. The people are fun and outgoing, the cities are filled with so much history. The Netherlands is a small country, but we are an innovative little bunch of people and I really appreciate being a part of that. There is one thing I miss though and that is mountains, it is so flat here. I guess that’s why we can basically live on our bicycles!

Woven wall hangings by Vera J. on EtsyWoven wall hangings by Vera J. on Etsy

Follow Vera on Instagram to see more affordable wall art

Get a custom fluffy cloud from Vera here!


Thank you for visiting and make sure to hit the follow button for more stories like this! 

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Learning to Weave


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Artist Interview with Sally Welchman from Mogg Shop

I’m excited to introduce Sally Welchman from Mogg Shop on Etsy! Make sure to visit her shop at moggshop.etsy.com.

Can you give me a little background on yourself and how you developed your unique style?

Hi, my name is Sally and I live in Brighton in the UK. I went to art school and took a degree in design and then a masters in ceramics in Cardiff, Wales. I was then awarded funding by the Welsh Arts Council to do a one year ceramics residency in a small town in Germany. I had already been doing a lot of drawing during my M.A. and had produced some kind of 3D assemblages with wood I picked up in the street and other items collaged together, and in Germany I continued with this, creating paintings of animals using some of the ceramics tools and techniques I was using on my pots too. I think working on wood is a little like decorating the surface of a pot, because its an absorbent hard surface that can be carved into or sanded back. I like that you can keep a design simple whilst still giving it depth in that way.

Why the use of reclaimed wood?

Partly I use reclaimed wood because I like the idea of turning old things into new and reusing something that already exists. From an ecological standpoint I think that’s a good thing to do. Also though I just really like the look of wood that has already had a life and looks a bit battered, so its also for the aesthetic.


What are your sources of inspiration?

My inspiration comes from animals, our two pets (a dog and a cat) but also from feelings and human emotion. I am really interested in facial expressions and what they do and don’t reveal and how human expressions do not always reflect our true feelings: animals and young babies don’t cover their sadness or anger with a smile or “put on” a confident face when they are nervous etc. That’s something that interests me.

I work as a facilitator on a great project at the Brighton Museum, which is about providing a space for marginalized artists – often people with a diagnosed mental health issue or learning disability to make art. This is a project that has been running now for several years and is very inclusive and person centered. People can pretty much create what they want there and I find that very positive and inspiring. For my own work, I honestly feel that every day that I can make art is pretty exciting – I feel like I have the best “job” in the world!

Have you worked on, or are you working on, any exciting projects?

Coming soon I think is a book that will feature one of my cat paintings. It will be written by Desmond Morris (a famous and respected sociologist and author in the UK and a painter himself). The book is called Cats in Art and is due out in September. I have also just finished taking part in an Open House exhibition with other artists at Bright Moon Studios in Brighton, which was a lovely experience.

What is life like as an artist in Brighton?

Life for an artist in Brighton is really good. Brighton has a large artist community and many galleries and events where you can show work and take part in open houses, craft fairs and networking opportunities. People here seem very supportive and interested in art and the city itself is close to London, with its major museums and galleries and also the countryside of the Sussex Downs and the wonderful seaside. Sussex has a long artistic history going back years and the Charleston House (home of Vanessa Bell) (@CharlestonTrust) and Virginia Woolf‘s house are nearby as well as the Ditchling Museum which showcases the work of significant local artists and craftspeople of the last century.

Thank you for reading and make sure to check out Mogg Shop on Etsy and get one of Sally’s reclaimed wood paintings!

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Artist Interview With Nessa Ryan

It is my pleasure to introduce the wonderful Nessa Ryan from Tel Aviv, Israel ~ visit her Etsy shop at nessaryandesign.etsy.com.

Can you tell me a little bit about yourself, your shop, and your creative process (materials, thought process, etc)?

“I studied fine art and specifically sculpture in Ireland and also Rotterdam. After graduating I moved to New York and started to paint. I worked as an interior decorator and muralist and had my own art studio. I exhibited and performed with my band in many venues and galleries. I had a child and moved to Tel Aviv, where I started primarily to illustrate. I currently work as a children’s book illustrator and exhibit my illustrations. I work with paper, paint, ink, pen, markers..anything really. If I work on a book it is a collaboration, a dance of sorts, where sometimes the image takes the lead and at other times the text does. When I work on my own illustrations, my inspiration comes from everywhere..movies, poetry, books, memories etc. I love the meditation and process of creating an image , the excitement of colour and mystery of line. It is a wonderful world to be apart of. I joined Etsy to get a larger audience and try my hand at attempting to run a small business, I am afraid I am not a very business minded person, and have little time for marketing and promoting my shop, but every now and then I make contact with someone through the store and I find that valuable enough to keep my shop open.”

Where does your inspiration come from for the content of your work? Can you tell me a little bit about how your content and style work together?

“As I mentioned above, my inspiration comes from everywhere, I collect images in my head from just being awake ( and actually dreams are a pretty good source of inspiration, too). I do not like to take photos , so I suppose I consciously memorize something and know that it will appear if needed when I work. Most things evoke some sort of emotive response, and if not then an intellectual one. It is interesting to play with this and see where the idea decides to land.”

Is there any significance behind the oval shape that you use as a kind of frame for your illustrations?

“I wanted a free floating image, I think it seems less restrictive – it’s like an atom or a cell..it has its own energy/story in an infinite space (the page being the infinite space). The confines of the page size are irrelevant , as the page just becomes part of everything else around it. However, I am not loyal to any format, so things can change.”

Are you currently working on any new art projects?

“I am have almost finished my latest book, I am very excited about it, it was a collaboration between my friend and I. It is a Hebrew alphabet book, each letter is given a poem or a story, the writing is fantastic, it is philosophical, funny and sentimental, both kids and parents will enjoy the read. I found illustrating it to be a joy, as the text was so inspiring and free – children’s books can be so ‘safe’ this days and lack a juicy text, so it is rare to have this much fun illustrating.”

What is life like as an artist in Israel?

“I think it is the same as anywhere else. Life as an artist is intellectually and emotionally stimulating and financially devastating. If you are inferring that because of the occupation and violence here, then it maybe different, and it depends where you live.  I live in Tel Aviv and I am Irish, so I can focus on raising my child and work.  If I were a Palestinian living in Gaza or the West Bank, I would still be trying to raise my child and work, but on top of that I would have to deal with the ongoing brutal occupation. It is, for sure, a very uneven and unfair reality here.”

Nessa Ryan’s Etsy shop: nessaryandesign.etsy.com

 

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Artists’ Books on Etsy

For those of you who may not know what an artist book is, be my guest in explaining them! Each one is unique, sometimes made in editions like prints, sometimes “printed” by a press, other times not, cataloged in the library like books with a call number, often displayed in museums as art objects behind glass – each one may look, feel, or even sound different from the next (queue Keith Smith’s string book).

A few brave and creative souls have started selling their artists’ books on Etsy. I found these recently and thought I’d share!

butterfly

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Butterflies from TheMuseumShelves

night

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Night from SignOfTheLadybug

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n2

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Nachtmahr Box from buechertiger

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little2

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Miniature Black Artist Book from PegandAwl

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Book of Nonexistent Animals from HandmadeBook

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Artist Interview with Anne Corr from Modestly

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“The conscious mind hungers for success and prestige. The unconscious mind hungers for those moments of transcendence, when the skull line disappears and we are lost in a challenge or a task —when a craftsman feels lost in his craft, when a naturalist feels at one with nature, when a believer feels at one with God’s love. That is what the unconscious mind hungers for. And many of us feel it in love when lovers feel fused.”

~David Brooks

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It is my pleasure to introduce Anne Corr from the Modestly Etsy shop. Her artist book inspired by Joseph Cornell inspired me to then interview her for the blog. Please make sure to give her shop some love!

Can you tell me a little bit about your work making artist books and where you draw your inspiration? When did you learn how to make artist books?

The quest of living our lives well is the inevitable journey each individual must take. It is the perpetual drive to retain the mystery and magic in a world that is sometimes inhumane, hostile. Sometimes life becomes almost unbearable in the moment. I have struggled to maintain my equilibrium in different phases of mine – my early twenties working in a pressurized commercial environment, my early thirties becoming a parent, my early forties learning to live with the loss of a marriage and forging a new future.

Since I was a child I have had a curiosity about how to live well. To me this is the question that philosophy tries to answer. And philosophers are interesting, but so are poets and gurus, and business leaders. Curiosity is the spring board to doing something, whatever it may be, it is about the opportunity to dig deeper, to investigate. The process of making my books chose me really. I have loved mining the minds of past thinkers – and current ones too – I think in an attempt to understand more about how to be human. That seems strange, since being human should surely be the most natural of processes. I don’t find that, I find it discombobulating, I look at behavior to learn from it. I know now I am not alone in that feeling of alienation from my own species, and writers and artists taught me that. I learnt from my early life that being a career girl disassociated me from what is most important to me. So I stopped.

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A special friend who shared a lot of life with me when we were young parents once handed me a present of a handmade blank folded book. That started me off. I looked at this little piece of created loveliness, and wanted to fill it with something beautiful. I have it still – and it is still blank – I haven’t yet found its story. But it projected me into a new arena of creating, my book making journey had begun. All trial and error – I love to learn by doing, so I just made lots of books. Then family asked me to make them and I considered selling them. I had sold cards at craft fairs, but felt the books would get over handled – so I opened a shop with Etsy, and was thrilled when I made a sale! Then I found more encouragement when I went to a local Etsy meeting, and discovered teams, which opened up the Etsy platform. I find many of my customers are from the U.S.A and that amazes me.

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One of my greatest pleasures in life is creating. To find yourself living that flow of easy ‘being’ when the mind and the body are occupied has to be the up there with the best things. I don’t care who you are, or what you have – this is the experience that tops status, recognition, fan appeal. It is really playing – and we in the Western hemisphere have somehow forgotten that play is how we began, and how children learn best. Learn to play, and you learn how to live well. Creating anything, from a cupcake to a spreadsheet, from a poem to an engine, is about that engagement of you with something else. And alchemy happens.

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Every time I send something out into the world because a customer has ordered it, I get a frisson of excitement. Will they love it? Often I am lucky enough to get amazing comments and always feel incredibly grateful that someone has bothered to do that. I create in a very humble and small way – but it means something.

Can you give me some background information on the Cornell Book and what the creative process was like? What kinds of materials and processes did you use?

Joseph Cornell, the New Yorker, was a genius at bringing together ephemera, and producing assemblage art in a time when the genre wasn’t really considered art. A collector extraordinaire, inspired by the surrealists and dedicated to the care of his brother whom he cared for and who sadly died early from his condition of cerebral palsy, this gentleman produced items that inspired a new generation of artists and writers, and well, just people. His work inhabits the hinterland between the reality we live in, and the dreams we have, the inner realities that can sustain and sometimes seem more meaningful than the exterior lives we lead. And that is why I love him. And that love propelled me to produce my own small tribute to him. A mixture of images from some of his work mixed with my own journeys into unreality.

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Are you working on anything new and exciting in the near future?

Am I working on something new – always!! Work is what propels me, but much of it is done in the background of my life. I continue to read, consume new information and to look. Staying curious is how I work and sometimes there are periods when all the productivity is hidden – nothing to show. I know that is just a period of gestation. I don’t consciously pick my subjects, they arrive. Questions arise in my mind and I research, or a customer asks me to produce a book on a subject I have given no consideration to – that’s how my book celebrating dogs came about. I have always loved sharing my life with my dogs, and it came very easily to me! Virginia Woolf was a subject given to me by a customer – she had wanted the Bloomsbury set but Virginia was louder than them! She arrived in my head and wouldn’t leave for quite some time.

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I don’t make myself create a book from a subject, unless I am working to create an order. It is a sort of sideline to my more structured daily routine of illustration, where I try to make something of a contribution to living costs! I try to create something everyday for uploading onto my sites where I sell printed on demand product ranges – its practice, and some are more successful than others, my books are my indulgence really. I suppose like knitting for relaxation, they bring me to a different part of me, where I dream a little. I like the physicality of making something that has form – so much of my day is spent digitally on the p.c. I really wish I could enjoy the world of the kitchen, allowing my creativity to blossom there, but unfortunately for me and la famille, I tolerate cooking. Just. I love the part when I get to make the covers – each book is different, and I like playing with different materials, reclaimed mostly because I love the history of objects. I even like the packaging of my books, and I often finish the order by making it a slipcase, simply because I want to go on with the creation of something wonderful to open. Like treasure. I like adding beads, or textiles.

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I am very interested in the past and one of my gestating projects is to produce a ‘girdle book’ , in the manner of a small book of thoughts, daily motivations worn hanging from the waist on a cord. I want to do a sort of modern day version of that.

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