Doodles from D Is For Doodle
Doodles from D Is For Doodle
Original drawings from DoubleFoxStudio
Paintings from BEAMprints
Today I’m pleased to introduce artist Christy Schwathe from New Mexico. Her work and story inspires me, and I hope it will inspire you as well!
Can you tell me a little about your background and interests? What’s life like in New Mexico?
I grew up living on the second story of an old house, in a small town in Colorado, where my parents ran a restaurant on the first floor surrounded by vegetable and flower gardens. It was an interesting and busy childhood with days filled with different people and projects and nights falling asleep with the muffled sounds of silverware clattering and delicious smells drifting upstairs. Besides being influenced by the hard work and creativity of my parents, I surrounded myself with artists, both in my family and the community. I figured out early that the restaurant business was way too much work and making art sounded way more fun. Eventually, I ended up earning my degree in art at UNM in Albuquerque, NM, falling in love with printmaking and focusing on that as well as drawing. In the years since school, I’ve worn many hats, all of them creative. I’ve spent time working in art supply stores, printing clothing and t shirts, managing a small open press and for a while I had a small business sewing bags and accessories out of recycled materials before coming back to making my art full time.
When I found my way to New Mexico, it instantly just felt like home, and I’ve been in the state ever since. New Mexico is a unique place, perhaps a bit rough around the edges but filled with the traditions and histories of many different cultures that make this financially poor place feel so rich in other aspects. There is an inherent creativity here, mostly brought about by necessity, that seems to magically turn everyone into an artist of some sort. Beyond the cultural richness, the creativity, the sunshine and the natural beauty of the place the thing that always made it feel like home to me is how friendly people are here. New Mexico is the kind of place where strangers will not only say hello to you, but will end up sharing their life story with you while you pass the time waiting in line somewhere. Having gotten so used to this friendly, laid-back style, I’m not sure if I could ever get used to being anywhere else.
For the time being, I am living in the tiny village of Costilla, north of Taos with my partner, Bradley Sleep, also an artist and a silversmith, and a handful of cats. Here, you are more likely to hear Spanish being spoken than English and humans are far outnumbered by the elk, coyote and rattlesnakes, inhabited homes outnumbered by long abandoned, adobe structures slowly melting back into the earth. It is a bit lonely and harsh around here, despite being beautiful, which I find alternately frustrating and inspiring. When I’m not working in my little studio, I stay busy with my other obsessions, sewing, knitting, small scale farming, and cooking (oh how I miss the convenience of take out). And when we find rare moments of time to do something else, Bradley and I head out into the valley to explore and do a bit of rock hounding or up into the mountains for some hiking or camping.
Many of your pieces combine the female figure or portrait with elements from nature, or are devoid of any context and are simply a portrait. What kind of inspiration do you draw on when creating these?
I’ve always been drawn to the human form as a means of communicating emotion and I tend to gravitate towards female subjects simply because, being female myself, I relate more strongly to them. The inspiration for my subject matter comes directly from my own life, living in a solitary space and surrounded by almost nothing but nature. I think the solitary nature of many of my pieces also speaks to what I see as a trend of people feeling more alone and isolated in our current society. It seems to me that most of us suffer from feeling disconnected, from each other and from nature, and so my own personal experience relates more abstractly to humanity as a whole. I also draw on the sense of strength and independence I see in the people of this area, where people dig their heels in, work hard against the elements and adversity and emerge even stronger on the other side.
What’s the process like of creating one of your mixed media works? How did you develop such a unique style?
My mixed media pieces seem to surface from the refuse of my life. I have an annoying habit of not wanting to throw anything away and tend to keep and collect little scraps of paper, fabric, xeroxed copies of found things, old books, words and sentences cut from magazines, anything that interests me visually, conceptually or texturally. Seeking inspiration, I’ll start dumping all these bits and pieces out, fumbling through them until I find something I feel I have to use and starting with piecing together a background of sorts. Often, I am wondering what would this or that look like mixed with this or that and maybe with this on top, so I try it and see where it goes. For example, with my ransom poem paintings, I start with a background, then work on painting an image (typically a figure or portrait) on top and end with piecing together the poem, seeking words and phrases that reinforce the emotion I’m hoping to convey while at the same time keeping it all somewhat cryptic, I never want it to lose all sense of mystery.
My style tends to shift around a bit as I grow and learn as an artist, and I quickly get bored with doing the same thing over and over. I think my style stays unique through it all because that’s just the way it comes out, that’s just the way my hands and my eyes and my brain communicate with one another. There are an infinite number of things to draw and paint and an infinite number of ways to draw or paint them, but no matter how I approach a piece and expect it to turn out it always seems to come out looking like something I made, even when my original intentions are quite different than the finished art.
How has business been on Etsy so far? Do you have any goals for the business or any upcoming projects that you’re working on?
Sales through my Etsy store seem to come in waves, I’ll have good months and bad months and it provides a supplemental income for me that adds to my sales through my local gallery in Taos, Taos Artisan’s Gallery, and direct sales of my art. Being able to have an online store through Etsy has really allowed me to reach out, from my little isolated chunk of the planet, to the rest of the world and share and sell my art to people who never would have seen it otherwise, so priceless for those of us living in rural areas.
The latest addition to my little business was the purchase of a really nice printer and a fancy schmancy camera which, after learning how to use both of them, have allowed me to make high quality, archival prints from my originals. These days, I’ve been working on a lot of time consuming, original oil paintings that I sell through my gallery. I love investing so much in each piece, but I realize that it often puts them in a price range that is unattainable for many people. The fact that I can now make prints to order at affordable prices makes me feel like more people can get their hands on my art and I’ve been working on adding more and more prints to my store.
Make sure to like Christy’s Facebook page and check her out on Etsy!
Your work is a combination of typography and digital collage, with themes of pop culture and surrealism. Can you talk a little bit about where your inspirations to create this work stems from?
It might sound dull, but I get my inspiration mainly from life itself. With music as my main catalyst during the process of my work. I love working intuitively. Most of the time I already have a theme or subject in my head. Then I choose the type of music which has to represent the atmosphere of the work. During the process the work sort of creates itself. Also my children are a big inspiration to me. Their minds and visions are still so pure. I love the way they can still be amazed by the little things in life which we adults take for granted. Picasso once said: “Every child is an artist. The problem is how to remain an artist once he grows up.” I try to keep this in mind every time I start working on something.
Can you tell me about the Artbook of “visual lyrics” that many of your portfolio works are a part of?
This project is actually an idea for the future. With that I mean, I don’t know when it will be finished. Like I said before, music is a big inspiration to me. So my plan is to keep creating these lyrical artworks until I have enough to make a book out of it and hopefully get it published somewhere. That would be the ultimate goal! Right now I am busy on my sixth lyrical artwork. So I have a long way ahead of me. The one I am working on right now is based on the phrase “We all feed on Tragedy” from the song Vicarious by Tool.
Is all of your work done digitally or do you play around and enjoy other mediums as well?
Well actually, most of my work is done traditionally and eventually ends digital. Most of the time I start sketching, painting, drawing, collaging etc. Then I scan all the elements with my flatbed scanner and continue the process in Photoshop. During the digital process I sometimes even print the result to add some more traditional techniques and scan it in again. Just until I get the result the project asks for at that moment. Some techniques are simply hard to achieve digitally.
So you ask me if I enjoy other mediums as well? Hell yeah! The more mediums and materials the better. Having no limitation as a limitation! Without having any boundaries or restrictions I keep the process of creating fun and exciting for myself.
What have been some of your favorite exhibitions in the past that you have been a part of?
There are a few, but the most favorite one was at the Barcelona Art Fair. An exhibition with artists all over the world at Casa Batlló in Barcelona. Also known as the Gaudi House. Not only was it nice to exhibit in such a beautiful city and meet many different kinds of artists… but how fun is it to say that you once exhibited in the House of Gaudi!
Do you have any favorite artists?
Besides my own children I have always been a big fan of Dave McKean, especially his comics and Graphic Novels. Also Kurt Schwitters, Mark Rothko, Jheronimus Bosch, Henrik Drescher, Sigmund Polke, Karel Appel and Miro are all artists I really admire.
You can also find Bart here:
I am honored to introduce the wonderful artist Emily Penso, who has a quite interesting life story! Emily sells her surreal and whimsical artwork in her Etsy shop, Studio Lavaan, and excitedly agreed to be interviewed on the blog!
I was lucky enough to grow up in New Zealand, in the South Island city of Dunedin. It was a wonderful place to grow up and although it’s quite a cold part of the world, most of my childhood memories involve sunshine and bare feet.
I am the middle of three children, with two wonderfully loving and supportive parents who shaped our world with a comfortable home, a love of the outdoors and an appreciation of the arts – I remember many a boring gallery trip! But although at the time I would have preferred to be playing with Barbie or some other weird toy, there was always at least one art work that would completely mesmerize me.
Now, curiously, I find myself living in Israel (which is another epic tale, but involves meeting a beautiful Israeli in India and marrying him in Cyprus). We live in a lovely village on a hill with our two completely gorgeous boys, and a white cat and a black dog. We have a small olive grove which we use for making oil, a small studio which I use for making art, and lots of little vegetable gardens. It suits us well.
I guess my mind has always been a bit of a peculiar place, and for as long as I can remember I have been fascinated by things that are out of the ordinary. My earliest surrealist influence almost certainly came from Rene Magritte. My parents had a book on Magritte and throughout my childhood I loved pawing through the pages. It was entertainment that never got old, no matter how old I got, and every time I looked I would discover something new.
Another big influence would be dreams. I am a serious dreamer – day dreams and night dreams – but I am particularly inspired by night dreams as they are totally wild, complete raw sub-consciousness, and always purely surreal.
The world around me is also a major source of inspiration; Birds, insects, trees, people, land forms, and the interactions between everything that exists – I am constantly in awe of this world we live in. It never gets boring! It is a mysterious moving masterpiece that I love being a part of. This spiritual connection that I have with life is also a bit of an influence. It is much easier for me to articulate what it is that I feel spiritually through drawing than words.
“You know, most of the time my work starts as a visual idea rather than a concept that I want to communicate (consciously anyway) but always through the process of making the work I begin to understand the symbolism of what I am drawing and mostly it’s personal feelings, thoughts, experiences. I approach my work with intuition, but execute it in a very precise way! Some of my favorite visual themes have been playing with scale relationships between figures, mirroring birds, and using clouds as a very deliberate compositional device (with meaning!)
Clouds have been popping up a lot lately and they are beginning to take the centre stage. I love clouds.
Wow, free time is something that is completely foreign to me! My little boys keep me very busy! But, I do manage to squeeze in a little bit of yoga and any chance I get I am in the garden. In my down time I have been known to play ‘words with friends’ on my phone ( I’m mildly addicted). If I had more free time I would love to make pebble mosaic stepping stones, sew stuff ,and I’d also restore all the shabby vintage furniture that I have collected.
When my boys are all grown up I would like to do my masters, it’s a nice dream, and I’d love to learn more skills, like basket weaving and everything to do with textiles.
You can also find Emily on her Facebook Fanpage: Emily Penso Fanpage
And her website: emilypenso.com